Word: screened
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Dates: during 1960-1969
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What about Coco's love life? Her lovers are flashed on a screen and mumble a few words of endearment. No one knows what they feel about Coco or what Coco feels about them. These are virtually spectral relationships. One is left with Coco herself, a spunky, ardent, nononsense, one-woman feminist liberation front, who somehow seems to be more passionately and intimately involved with her models than with any man in her life...
Hello, Dolly! could have used those personalities on screen. Instead, it relies almost exclusively on the celebrated eyes, ears, nose and throat of Streisand. Her musicianship remains irreproachable. But her mannerisms are so arch and calculated that one half expects to find a key implanted in her back. Still, the Widow Levi is by way of becoming a classic repertory role. Over 50 women have played her on Broadway and in road companies. The stage version is less than 300 performances away from the longest-running musical record held by My Fair Lady. It now stars Pearl Bailey, who heads...
...Hard Day's Night brings the Beatles to the screen...
Died. Eric Portman, 66, commanding figure of British stage and screen for nearly half a century; in Cornwall, England. Broodingly handsome, Portman starred at the Old Vic as early as 1927, and during his career appeared in more than 100 British productions. Americans know him best for his Broadway roles in Separate Tables (1956), O'Neill's A Touch of the Poet (1958) and A Passage to India...
...question mark and the consummate frustration of a period that longs to be an exclamation point. Goldie is a natural reactress; her timing is so canny that even her tears run amusingly. In recent years Broadway comedies have not survived translation into film. Although unpretentious, Cactus Flower succeeds on screen, thanks to two old masters-and a shiny new one-who have learned that actors get known by the comedy they keep...