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...obviously symbolic that the conviction of reality drains out of them. Albee puts the burden of feeling on the language. Still, there is more echolalia than eloquence in the speeches. The cast is a marvel; the play could scarcely survive without these players and the taut direction of Alan Schneider. John Gielgud is the paragon of paragons. His thin but resonant voice invariably astounds one by making an orchestra out of a clarinet, and his speech is kingly...

Author: /time Magazine | Title: Theater: Tinny Allegory | 1/8/1965 | See Source »

...premiere of Eugene O'Neill's unconventional near-monologue Hughie (at the Rovale; previews begin this evening). It is the only completed play in a planned cycle of six. Dealing with illusion and reality, it should appeal to those who admire The Iceman Cometh. And Alan Schneider will be guiding two great players, Sir John Gielgud and Irene Worth, through Edward Albee's new play. Tiny Alice (at the Billy Rose Theatre; previews begin Decembr...

Author: By Caldwell Titcome, | Title: What's Good on the New York Stage? | 12/16/1964 | See Source »

Born. To Alain Delon, 29, French cinemactor, best known for his five-year romance with Romy Schneider; and Francine Canovas, 24, Spanish-born photographer, whom he married Aug. 13: a boy; in Hollywood...

Author: /time Magazine | Title: Milestones: Oct. 9, 1964 | 10/9/1964 | See Source »

Many died for their religious beliefs. Paul Schneider, a Rhineland Protestant pastor who was several times imprisoned for ridiculing the Nazis and collecting money for the Jews, was finally tortured to death in a cell from which he was made to watch the execution of prisoners outside. Each time a man was shot, Schneider's voice thundered over the parade ground: "I have seen this! And I will accuse you of murder before God's judgment seat...

Author: /time Magazine | Title: Books: The Forgotten Few | 9/4/1964 | See Source »

...filming of a TV commercial-a hilarious sequence in which the Hertz man is catapulted out of limbo and lands everywhere but in the driver's seat. The person who does land with solid comic authority in this otherwise tiresome and familiar romp is Actress Schneider, the gemutlich Viennese sex kitten who has purred beguilingly through more pretentious trifles, such as The Victors, The Cardinal and Boccaccio '70. But Lemmon, though adroit as always, is now well along toward proving that the most gifted of farceurs cannot build a really distinguished career simply by explaining, in film after...

Author: /time Magazine | Title: Cinema: A Kitten for King Leer | 7/17/1964 | See Source »

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