Word: schneider
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Dates: during 1990-1999
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...next time. After all, there were plans for animating Firebird soon after the original film was released; Stravinsky saw Disney's take on The Rite of Spring, liked it and gave Disney the rights to other pieces. "Good ideas will always find their way to the screen," says Peter Schneider, Disney Studios boss. Or to some other part of the Magic Kingdom. Roy talks of putting the Rachmaninoff piece, which was fully storyboarded before it was scratched, in Disneyland's CircleVision pavilion. With a budget estimated at $85 million (some skeptics say it's nearly twice that amount), F2K will...
...happens to the Disney loyal fan base? Stay tuned. We'll have a full report for you coming soon... Pick up the new Women in Hollywood special Premiere Magazine issue. It has some fascinating interviews with the best female actresses in the business and a compelling biography of Maria Schneider, the infamous French actress whose career self-destructed with Last Tango in Paris And what wins my award for worst movie of the year? Deuce Bigalow: Male Gigolo. But I haven't seen...
...with Tim Schneider `03. He's eating a "bold double-decker chickwich." He expatiates, "I experiment with my chickwich, sometimes ranch, sometimes barbeque, spaghetti sauce and cheese--the chicken Parmesan chickwich. Schneider later adds, "I think me and Domna are friends. We're on a first name basis." "She knows your name?" I ask. "Well, I know hers," he says...
...Soon, a ninja master entered the picture. He confiscated Yoko one evening, as she lay in sublime calm next to her child lover. Soon, I began to learn of the deep historical ties between Dark Schneider and this new ninja-kidnapper figure, Gara. Gara had spent the past five years working on his own objective to conquer the world, but he continued to be haunted by a defeat he suffered years ago at the hands of the formidable Dark Schneider. Although he knew that Dark Schneider could be a valuable asset to his campaign, Gara's own personal ambition demanded...
...most to the film was its surprisingly reflective nature. This wasn't a foray of pointless, indescretionary violence like we see in so many films today, but rather violence calculated to prove a point about ambition and the power of evil. And as Gara stood over a dead Dark Schneider, tears welled in my eyes as he criticized his own inability to work with his former enemy. The emotionally ravaged Gara seemed more like a modern-day Hamlet than a silly cartoon character...