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...later joined the politically aware Catholic fraternity Askania. Fortunately, Askania was not all politics. At a fraternity ball, Kurt met the lovely 18-year-old daughter of one of the alumni. They danced together, and won the first prize in the dancing contest. On Christmas Eve 1932, Marie Luise Schneider and Kurt were married, set up a home near Berlin's Kurfürstendamm...

Author: /time Magazine | Title: West Germany: Renewal on the Rhine | 12/9/1966 | See Source »

Born. To Romy Schneider, 28, Austria's slinky movie minx, and Harry Haubenstock, 45, German theater director she married last July: their first child, a son; in West Berlin...

Author: /time Magazine | Title: Milestones: Dec. 9, 1966 | 12/9/1966 | See Source »

...summer of 1965, two fledgling producers named Robert Rafelson and Bert Schneider put an ad in Daily Variety for "4 insane boys, aged 17-21." Out of 437 would-be lunatics who showed up to audition, Rafelson and Schneider picked David Jones, 20, a 5-ft. 3-in. former jockey from Manchester, England; Mickey Dolenz, 21, a former child actor from Hollywood; Peter Tork, 24, a college professor's son from Connecticut; and Mike Nesmith, 23, an Army brat from Texas. Only two of them could read music at all professionally, and only two had ever acted before. None...

Author: /time Magazine | Title: New Faces: Monkee Do | 11/11/1966 | See Source »

Neurotically out of love with her husband (Peter Finch), she tries during a trip through Spain to stir the embers of eroticism by packing him off to bed with her best friend (Romy Schneider). One memorable night, as a storm rages outside, she sees Romy and Peter on a balcony in an alfresco embrace, heedless of wind, rain and lightning. Meanwhile, a murderer fleeing a crime of passion appears on an adjacent roof, and Melina decides to help him. Why? To that question there is a multiple-choice answer: 1) she is desperate for excitement, 2) she is romantic...

Author: /time Magazine | Title: Cinema: Not Always a Never | 11/4/1966 | See Source »

...LENSES. Improved optical glass and computer calculations have led to new lenses that were impossible to make before. Zeiss has an f0.70 lens, 100 times faster than the human eye in daylight, for general photography, and a 110° wide-angle lens free of distortions. Schneider has a movie-projection lens that without alterations can handle nor mal and widescreen, Cinemascope and Todd-AO film...

Author: /time Magazine | Title: Germany: Better Focus | 10/14/1966 | See Source »

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