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Colonel Magloire is the strong man of the Haitian army. It was Magloire who put Dumarsais Estimé in the presidency four years ago, and it was Magloire who sent Estimé on his travels last May for trying to bypass the constitution and get himself reelected. The Estimé experience convinced the colonel that he had better stop fooling and run the country himself...
...Haitian Senate had rejected a proposed constitutional change permitting proud, scheming President Dumarsais Estimé to be elected to succeed himself in 1952. Last week, after 10,000 dancing, drumming, pro-Estimé Haitians had paraded through Port-au-Prince and sacked the Senate chamber, the army moved in on Estimé. Forcing the resignation of the man it had backed for the presidency four years ago, a three-man military junta took over at the palace...
...Haiti's spokesman before the O.A.S. charged that the Dominicans, while raising a hue & cry about Cuban and Guatemalan plots against themselves, had actually been hatching a plot of their own against neighboring Haiti. The scheme, uncovered late last month, called for the murder of Haitian President Dumarsais Estimé and other high Haitian officials and-to provide a reason for indignation-the burning of the Dominican embassy in Port-au-Prince. In the ensuing panic, Dominican troops under the renegade Haitian colonel, Astrel Roland (TIME, Feb. 21), were to invade the country...
...tourists expected by plane and ship, Schmiedigen was packing in all the Haitian color he could get. Staff artists sculptured likenesses of Haitian beauties, chipped out brilliantly colored linoleum murals recording Haitian history from Toussaint 1'Ouverture to President Dumarsais Estimé. A good third of the grounds was marked as the special Haitian sector. Here earringed women would sell mahogany and wicker, while in a small nearby stadium other Haitians would drum, dance and stage cockfights...
...Budget. President Estimé, gambling about a fourth of his government's revenues on the chance of winning tourist dollars, seemed satisfied with Schmiedigen's creation. The 1,500 workers, singing as they hammered, spoke of it affectionately as "ti exposition pa'nous" (our little fair). The impresario, a veteran of world's fairs in Paris (1938) and New York (1939), was pleased too. "But," he said, "I've given up hoping that a Haitian worker will ever learn to feel when a line is parallel to another line...