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...pictures of the year were Forbidden and Attorney for the Defense (Columbia); Five Star Final and The Man Who Played God (First National, Warner); Bad Girl and Delicious (Fox); Tarzan and Grand Hotel (Metro-Goldwyn-Mayer); Shanghai Express, and The Smiling Lieutenant (Paramount); The Lost Squadron and Common Law (RKO) ; Frankenstein and Spirit of Notre Dame (Universal). Scarf ace (United Artists) cost most ($800,000) to make...

Author: /time Magazine | Title: Cinema: State of the Industry | 6/27/1932 | See Source »

Personnel. First important personnel shift was in Mr. Aylesworth's company nearly a year ago when RKO-Pathe and RKO-Radio merged production facilities, summoned young David O. Selznick from Paramount to take charge. Mr. Selznick was last week selected by the Academy of Motion Picture Arts & Sciences to head the 1932 committee on awards for achievements in motion pictures. Later RKO directors elected Mr. Aylesworth president in place of Hiram Brown. RKO is better off than it was a year ago. So is Universal, run by old Carl Laemmle's smart son "Junior," who started the monster cycle. Most...

Author: /time Magazine | Title: Cinema: State of the Industry | 6/27/1932 | See Source »

...Face Red? (RKO) takes a somewhat less complaisant view of colyumists. Its hero (Ricardo Cortez) is an impudent, conceited hack, perpetually touching pitch. "I am a mirror reflecting the spirit of the times," he says, and later: "I am the guy who made Broadway famous." He has a girl (Helen Twelvetrees) but he is careless of her feelings and takes up with a richer one (Jill Esmond). Presently he writes for his colyum a description of a murder before the police have found the corpse. This causes an indignant Sicilian to crawl into his office and shoot...

Author: /time Magazine | Title: Theater: The New Pictures: Jun. 20, 1932 | 6/20/1932 | See Source »

Westward Passage (RKO) improves on Margaret Ayer Barnes's novel but is still dull, incredible. It purports to show respectable ladies how to have their cake and eat it too. Ann Harding, more phlegmatic than usual, meets a penniless young Bohemian (Laurence Olivier) and elopes with him into poverty, diaper-drying and bickering, which bounce her into the arms of an appreciative tycoon (Irving Pichel). The new husband is substantial, adequate and unexciting for ten years or until the first husband turns up again, successful, in Lucerne, Switzerland. The combination results in a triumph for romance. An attempt...

Author: /time Magazine | Title: Cinema: The New Pictures: May 30, 1932 | 5/30/1932 | See Source »

Roadhouse Murder (RKO) has at least a novel plot. The hero is an unsuccessful newspaper reporter. Accidentally present at the scene of a murder, he sees a chance to make himself comparatively rich and famous by: 1) planting incriminating evidence against himself 2) getting arrested for the crime, 3) writing his own account of the trial for his newspaper 4) introducing, at the last minute evidence that will exonerate him and catch the real culprits off their guard. His plan fails in the last detail. The evidence- a purse containing the name of the murderer's companion-is stolen...

Author: /time Magazine | Title: Cinema: The New Pictures: May 9, 1932 | 5/9/1932 | See Source »

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