Word: one
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Dates: during 1950-1959
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Mankowitz has exercised his self-reserved right so often that today he is less poacher than pro. Son of an East End trader who taught him that "the only good deal is one that shows everyone a profit," Cambridge-educated Wolf Mankowitz has made a good deal indeed for the British theater. He has brought it a bubbling British enthusiasm that pays off at the box office whether his shows are being polished in Director Joan Littlewood's East End Theater Royal or bargaining for big money on the other side of town. Even in the West...
...producers giving their man the right to play the piano, to address the audience, and not to be referred to by flacks as a "millionaire" or even "rich" (nonetheless, he is wealthy). Since Jane is off Broadway, the playhouse's 175 seats were his for only $300. One extra: Perky, whose father was Princeton 1881, slipped Actor Monroe Arnold a ten-spot to change the target of a snide remark from Old Nassau to Yale...
...Sand. To visitors last week, the foundry was still the place of weird shapes and leaping shadow that Duchamp-Villon and Brancusi knew well. In one room, sweet-smelling brown wax boiled on a rosy, potbellied stove. In the 100-ft.-long casting shed, coke fires hissed under fat crucibles shaped like medieval cannons, and overhead hoists trundled swaddled casts to their firing-pits. In a finishing room, a workman lay in the arms of a large bronze nude, reverently polishing her nose. In another corner, Marc Chagall supervised the application of a patina to his latest piece. Mustache quivering...
...sand casting Susse employs a sand found only in the Seine basin, which becomes almost doughy when moist. It is best for highly polished surfaces. The sculpture is solidly packed with sand, which is then baked dry to make a mold. A second mold is also fashioned, roughly one-eighth inch smaller than the original mold. The molds, shaped in halves, are placed one inside the other and then joined. Finally molten bronze is poured into the thin space left empty between...
Site and architect came together by sheer chance. Seven years ago, rotund, ebullient Nat Owings, 56, a senior partner of the huge architectural firm of Skidmore, Owings & Merrill, was visiting San, Francisco for the express purpose of courting a handsome divorcee, Margaret Wentworth. One fine fall day they set out on a picnic in the precipitous Big Sur country south of Carmel. Scrambling along the cliffs, they came upon a finger of land that thrust out into the Pacific in lonely grandeur. To the south, they could see a 40-mile sweep of coastline. Six hundred feet below, sea lions...