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...Merman film on tap. Yes, Hollywood's down to recycling jokes from ZOOLANDER...

Author: /time Magazine | Title: Pop Chart | 4/7/2009 | See Source »

...exalted level of The Last Waltz. But it has its own fascination. The film is less about the music than about the dedication of show-biz troupers--about doing your job, year after year, as if it's your joy. Jagger and Keith Richards, no less than Ethel Merman and Henny Youngman, have the veteran performers' love of pleasing an audience with routines that used to be antic but are now antique. By now, surely, they have performed Satisfaction more times than Judy Garland sang Over the Rainbow. Yet Jagger sells it with the vigor of a Baptist preacher...

Author: /time Magazine | Title: Scorsese's Moonlighting Gig | 4/3/2008 | See Source »

...Love, American Style--became a household name when her then husband Jack Klugman insisted she deserved a spot on Match Game. A smart, bitingly witty performer, she became a favorite on the hit show, bantering bawdily with fellow panelist Charles Nelson Reilly and delivering a mean impression of Ethel Merman. "It was the best job I ever had," said Somers...

Author: /time Magazine | Title: Milestones Oct. 1, 2007 | 9/20/2007 | See Source »

...when impresario Billy Rose was in the audience, did her madcap routine, picking up the elfin Lopez and carrying him about. That stunt earned her roles in the Broadway musicals Two for the Show and Panama Hattie, where, she later said, her one number was filched by star Ethel Merman on opening night. Betty's revenge came eight years later, when she played a ole Merman had originated onstage: Annie Oakley...

Author: /time Magazine | Title: When Betty Got Frank | 3/31/2007 | See Source »

...funnier with every picture. She is the most startling expression of natural force since the Johnstown Flood." In The Stork Club, "Her songs are undistinguished but her uninhibited way of putting them over is an eclectic mixture of Harlem and Bali, with a shout from the heyday of Ethel Merman and a gesture from the childhood of Shirley Temple." Cross My Heart "might possibly have been saved if Miss Hutton had been allowed to tear a few more songs to shreds in her interestingly destructive style." The Perils of Pauline: She "has a capacity for pathos which is rather crudely...

Author: /time Magazine | Title: When Betty Got Frank | 3/31/2007 | See Source »

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