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As its title suggests, “A Deeply Political Work” shifts the focus of Me in a Box from motion to meaning. Two performers (Neil G. Ellingson ’05 and Alex L. Pasternack ’05, who is also a Crimson editor) who epitomize...

Author: By Mary A. Brazelton, CONTRIBUTING WRITER | Title: Dance Review: Stepping Out of the Dancer’s Box | 12/6/2004 | See Source »

In September, French publishers Gallimard issued three Roth works, all translated by Kamoun: The Dying Animal (now a French best-seller), Shoptalk and a new, more accurate translation of The Counterlife. Before Roth had even published The Human Stain, his best-selling 2000 meditation on race, sexual scandal and identity...

Author: /time Magazine | Title: Found in Translation | 12/5/2004 | See Source »

Now, this type of contingent meaning may or may not be a problem in and of itself (that depends on your taste for meaning in contemporary art), but I think more to the point here is the fact that because this kind of meaning is not what we usually associate...

Author: By Julian M. Rose, THE ANGEL OF POST-MODERNISM | Title: Contextual Play in MIT Show | 12/3/2004 | See Source »

So, what do I really think about the work in this show? I think I don’t quite know what I think. As much as I dislike the way they were described in the catalogue, I have to admit that I found several of the pieces quite affecting?...

Author: By Julian M. Rose, THE ANGEL OF POST-MODERNISM | Title: Contextual Play in MIT Show | 12/3/2004 | See Source »

Though many areas of the medea are purely modern, the dialogue presents a curious marriage of the ancient and the current. Stylistically, the words maintain a poetic, terse quality reminiscent of the original Medea. The prose here is succinct yet hazy, building up meaning though many small declarations rather than...

Author: By Eric L. Fritz, CONTRIBUTING WRITER | Title: Updated Medea Frames in Double Vision | 12/3/2004 | See Source »

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