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Nevertheless, for the uninitiated Friday night’s event may have seemed a little odd. The first part of the event was a screening of one of Prina’s short films, Vinyl II in the Carpenter Center auditorium. Filmed at the Getty museum in Los Angeles (it...

Author: By Julian M. Rose, CONTRIBUTING WRITER | Title: A Night and a Day with Stephen Prina | 12/17/2004 | See Source »

It’s hard to decide what something means if you don’t even know how to frame a discussion of its potential meaning, and I think there were moments when many audience members (myself included) were tempted to dismiss the whole event as meaningless. What ultimately...

Author: By Julian M. Rose, CONTRIBUTING WRITER | Title: A Night and a Day with Stephen Prina | 12/17/2004 | See Source »

It was with great curiosity, then, that I turned to my interview with Prina, hoping that a conversation with him would help me understand his work. And indeed, it ultimately did, but not quite in the way I originally hoped, for it seems that part of coming to grips with...

Author: By Julian M. Rose, CONTRIBUTING WRITER | Title: A Night and a Day with Stephen Prina | 12/17/2004 | See Source »

Prina’s work is both extremely sophisticated and extremely complex, and I run the risk of oversimplifying in attempting to offer a concrete description of it. However, for the sake of this discussion I would say that Prina’s work is founded on acknowledging, perhaps even...

Author: By Julian M. Rose, CONTRIBUTING WRITER | Title: A Night and a Day with Stephen Prina | 12/17/2004 | See Source »

...artist both how meaning should be made and what it should be (either meaning as personal expression or meaning as progress). Accordingly, he is left with a complete freedom in regard to meaning, an almost infinitely open field within which all meanings are possible and everything is potentially meaningful...

Author: By Julian M. Rose, CONTRIBUTING WRITER | Title: A Night and a Day with Stephen Prina | 12/17/2004 | See Source »

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