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Though I have been inspired and changed personally by this process of using artistic medium as a vessel for internal discovery, I sometimes wonder if this freedom, while promoting individual growth, misses the opportunity to encourage something else. I wonder if there is a need for a discussion of the...

Author: By Amar C. Bakshi, CONTRIBUTING WRITER | Title: Blueprint of an Arts Education | 12/17/2004 | See Source »

And the genius of Prina’s work seems to lie precisely in the agility and creativity with which he is able to play this field. He is a past master at creating extraordinarily rich and complex objects, thick concatenations of meaning. Prina has carefully planned out even the...

Author: By Julian M. Rose, CONTRIBUTING WRITER | Title: A Night and a Day with Stephen Prina | 12/17/2004 | See Source »

While the sophistication of this play with meaning is immediately clear, it is still hard to know how Prina’s work should ultimately be evaluated, largely because much of it is predicated on the very idea that generalized goals for art making (and therefore generalized criteria for its...

Author: By Julian M. Rose, CONTRIBUTING WRITER | Title: A Night and a Day with Stephen Prina | 12/17/2004 | See Source »

In response to these questions, I would say that Prina’s work instills in me both a profound respect and a vague uneasiness. As I have already made clear, I admire his ability to play within the open field of meaning that he has opened up for himself...

Author: By Julian M. Rose, CONTRIBUTING WRITER | Title: A Night and a Day with Stephen Prina | 12/17/2004 | See Source »

I realize here that I am treading on dangerous ground. In the first place, I must point out that many of the works of VES faculty are socially oriented and immensely powerful. Hooker Professor of Visual Arts Alfred Guzzetti and Arnheim Lecturer on Filmmaking Robb Moss have both made breathtaking...

Author: By Amar C. Bakshi, CONTRIBUTING WRITER | Title: Blueprint of an Arts Education | 12/17/2004 | See Source »

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