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...Marcel E. Moran ’11, a former Crimson associate editorial editor, is a human evolutionary biology concentrator in Eliot House...

Author: By Marcel E. Moran | Title: March’s Hidden Madness | 3/31/2010 | See Source »

...other hand, anyone really looking at institutional critique and the practice associated with it could see that it was never about escaping institutions. Like Marcel Duchamp’s “Urinal”—an object only takes on a specific meaning as an art object within a discourse with the history of art and within these institutions. Instead [of trying to escape] one is left to struggle within this discourse...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

...Marcel E. Moran ’11, a former Crimson associate editorial editor, is a human evolutionary biology concentrator in Eliot House...

Author: By Marcel E. Moran | Title: After Virtue and Basketball | 3/12/2010 | See Source »

...Marcel E. Moran ’11, a former Crimson associate editorial chair, is a human evolutionary biology concentrator in Eliot House...

Author: By Marcel E. Moran | Title: Ultimate Fighting’s Grim Role | 3/3/2010 | See Source »

...questions that MOBA provokes about aesthetic judgment and the role of the museum are the very same questions raised by many modern and contemporary artists like Marcel Broodthaers, Daniel Buren, and Hans Haacke, who turned a critical eye to the context in which their work was exhibited. Indeed, this practice of institutional critique is one of the key influences in the artistic developments of the late 20th century. Is MOBA, then, with its humorous take on the way in which museums assign aesthetic value, participating in this same discourse of institutional critique? What does the very fact of creating...

Author: By Alexandra perloff-giles, CRIMSON STAFF WRITER | Title: MOBA Changes Trash to Treasure | 2/23/2010 | See Source »

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