Word: marcel
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Dates: during 1970-1979
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...tries to translate the Gospel into the idiom of today, so that "the Bible comes alive and the Christian faith is made believable." One way that Davies makes the Bible come alive during his sermons is by gesturing, mimicking and acting out roles with the skill of a Marcel Marceau. But he finds it "appalling and tragic" that present-day idiom itself sometimes becomes the Gospel, as when "sensitivity training is mistaken for the work of the Holy Spirit." Davies' rich and mostly middle-aged congregation regard him as a star performer and a provocative mind. For his part...
Though he will be forever associated with the petites madeleines that inspired Remembrance, Proust was a sensuous, accurate, compulsive recollector of good food. In the delectably illustrated Dining with Marcel Proust (Thames & Hudson; 160 pages; $19.95), Scholar-Cook Shirley King retraces the references and accompanies them with a recipe collection that embraces the cuisine of the Belle Époque...
...cocotte-and Dining shows the way to prepare them. In Jean Santeuil, Proust wrote of the lobster set before Mlle. de Réveillon, reason enough to provide the formula for homard à l'Américaine. Albertine pleads for skate with black butter; King delivers it. Marcel wrote affectionately of éclairs, marrons glacés, strawberry juice, orangeade, chocolate cake, oysters, petite marmite, roast goose ("superbly limbed and shining with gravy"), hare a l'Allemande and venison that was "dark, brown-fleshed, hot and soused [with red wine and cognac], over which the red-currant jelly...
...done to it, but the owner sued and was given $94,000 damages by a German court, a verdict happily greeted by Beuys as a victory over the "exploitative self-interest" of the beer drinkers. Plainly, something had happened to the avant-garde in the half-century since Marcel Duchamp suggested using a Rembrandt as an ironing board. Had it died of its own pomposity? If not, where was Beuys' claim to be an avant-gardist left? The problem is simple: there is no avant-garde any more, since its old ambitions of provocation and social attack have been...
...become a real celebrity (as distinct from a mere famous artist) through the medium of the art world. He is the Duchamp of the engages, a position he laid formal claim to in 1964 by exhibiting a placard on West German television which read, "The silence of Marcel Duchamp is overrated." As such, he is famous for being famous, for being rather than doing. It is quite unnecessary that his political notions should have any effect on the real world...