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Among such films scheduled for release in the next weeks: The Turning Point, a study of two dancers, with Shirley MacLaine and Anne Bancroft; a version of Lillian Hellman's short story Julia, with Jane Fonda and Vanessa Redgrave; and One Sings, The Other Doesn't, a French work that will open the New York Film Festival this week...

Author: /time Magazine | Title: Love, Death and La - De - Dah | 9/26/1977 | See Source »

Moses, who has been a club pro in Chestnut Hill and is the squash editor of the New England Tennis Journal, said he and team captain Julia Moore will teach a squash clinic for beginners starting next week. Regular season practice will start in mid-October, before the squad's first home match against Wellesley December...

Author: By Erik J. Dahl, | Title: New 'Cliffe Coaches Named | 9/20/1977 | See Source »

...Gentlemen spares the obvious potential for social statements in the black and Puerto Rican casting, limiting trendiness to the score. Shakespeare's plot remains largely intact, with its orderly parallels between pairs of individuals. There are the skeptics towards love, Julia and Valentine, and those who use seductive wiles to break them, Proteus and Silvia. There are the two masters and the two servants, each couple bound in friendship though capable of deceit. And then there's the dog Crab, who qualifies for both categories. The mutt is not only ungrateful for the constant companionship of Launce, he even sullies...

Author: By Anemona Hartocollis, | Title: Cuanto Me Gusta | 5/11/1977 | See Source »

WHERE THE MUSICAL DIVERGES from Shakespeare, the difference seems less like a change than a clever exploitation of submerged meaning in the original. In the adapted version, Proteus doesn't merely leave Julia's affection in the lurch, he leaves her pregnant, too. A vehement argument sung in four-part disharmony ensues on the desirability and proper emotional upbringing of illegitimate children. While Shakespeare doesn't wrangle over issues as pragmatic as pregnancy in this play, you wonder if he didn't have more on his mind than Julia's male disguise when he put these words in her mouth...

Author: By Anemona Hartocollis, | Title: Cuanto Me Gusta | 5/11/1977 | See Source »

Jennifer Marre's Julia stands out from the rest of the cast with Elizabethan integrity. Her singing is competent, her spoken Spanish sassy, but her forte lies in the elegant enunciation of Shakespeare's lines with a pleasing hint of an English accent. Her waiting-woman Lucetta (Annie Fine) has the only vaguely Puerto Rican visage of the lot and sings with stern indignation about "The Land of Betrayal." Judy Banks as Silvia dances with enough seductive verve to convince you that indeed she "wouldn't know a spiritual relationship...

Author: By Anemona Hartocollis, | Title: Cuanto Me Gusta | 5/11/1977 | See Source »

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