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...HORSE THIEF'S new wife, Miss Julia Tate (Mary Steenburgen), is not exactly your average female protagonist in a Western. Ambitious and pennywise, Julia lives on a farm outside Longhorn, which lies near an abandoned gold mine bequeathed by her late father. In need of a man to help her strike it rich and return to her beloved Philadelphia, Julia settles for the grungy Moone, despite his atrocious table manners and ravenous sexual appetite...

Author: By Joe Contreras, | Title: A Misbegotten Marriage | 10/16/1978 | See Source »

From the outset of this marriage by convenience, man and wife try to get what they can out of each other. Julia shows Henry the finer points of gold prospecting, while he applies himself to Julia's education in bed. "You can always tell a virgin on account of the whites of the eyes aren't clear," Henry assures her. "I don't want to brag a lot, but I have on occassion put a gal or two in tune with nature." Undaunted, the feisty Julia spits back, "I'm sure nature is grateful...

Author: By Joe Contreras, | Title: A Misbegotten Marriage | 10/16/1978 | See Source »

...goes. Henry and Julia find the mother lode of gold, romantically as well as financially. Temptations to escape the marriage present themselves to both Henry and Julia, but after initial weakness, man and wife go back to each other in the end. Moone has his way--the couple finally heads south to his beloved Mexico, rather than the City of Brotherly Love, and presumably live prosperously ever after...

Author: By Joe Contreras, | Title: A Misbegotten Marriage | 10/16/1978 | See Source »

...familiar amber-and-brown-soaked Texas landscapes doesn't seem a sufficiently compelling reason for making a movie, much less watching it. To have wasted a talent as versatile and fresh as Belushi's in a cameo role is enough cause to send Nicholson back to those gallows, Julia Tate...

Author: By Joe Contreras, | Title: A Misbegotten Marriage | 10/16/1978 | See Source »

Goin' South's script, set just after the Civil War, is essentially an extended two-character sketch. The other role is Julia Tate (Mary Steenburgen), a frigid young spinster whose odd habits include hanging up chairs on wall hooks. Julia weds Moon in a marriage of convenience: she needs someone to work her unsuccessful gold mine, while he needs a respectable wife to shield him from the law. The thin story traces the predictable warming up of their relationship. Pretty soon the film becomes a string of uneven set pieces, the best of which suggest Nichols...

Author: /time Magazine | Title: Cinema: A Texas Tall Tale for Two | 10/9/1978 | See Source »

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