Word: heldentenor
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Dates: during 1930-1939
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...While Heldentenor Carl Hartmann continued to win moderate favor as Tannhäuser and Tristan (Flagstad was the Isolde), the remainder of the debutant crop to date caused little excitement. Zinka Milanov (née Kunc), whose three-year contract had been promised only after she had agreed to learn three Italian roles and reduce 25 Ib. in three months, made her U. S. debut in II Trovatore (Leonore). Nicola Moscona, Greek basso, attracted the whole Greek colony to his Ramfis (Aïda). Sturdy American Baritone John Charles Thomas (Germont) saved a Traviata (with Vina Bovy and Nino Martini...
...Most important Metropolitan debutant was German Heldentenor Carl Hartmann, who had made previous U. S. appearances with the German Opera Company in 1931. As principal protagonist in one of the finest Siegfrieds in decades, long-legged, prancing Hartmann acted his role as though he were living it, sang and pounded his anvil with energy and musicianship, peeled the armor from sleeping Brunnhilde (Marjorie Lawrence) with a taxidermist's skill. Vocally he wavered once or twice, but he lived up to the excellent reports of his ability which had leaked out from rehearsals...