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...Graphic Answer. The main unit, a large analogue computer, is rigged so that it can handle a great variety of jobs...

Author: /time Magazine | Title: Science: Computomat | 7/19/1954 | See Source »

Knock on Wood (Paramount), like Casanova, fails to fit a famous odd peg into the rectangular hole of the screen, but it is a much more entertaining try. The trouble with Danny Kaye as a movie comedian is that his humor is almost too graphic to photograph. Give him the wide-open spaces of a theater stage and like the prairie flower, he keeps growing wilder every hour. But confine him to the camera's cold, Technicolored eye and take away the living audience that gives him his reason for spreeing. and Kaye is not much better than...

Author: /time Magazine | Title: Cinema: Two Comedians | 4/26/1954 | See Source »

...instance, the British endured a spate of low-grade idiots in the ranks during the Revolution and the War of 1812. We have it on cinema graphic authority that American spays had only to assume a bogus West End accent to gain admission to the most secret of English planning sessions...

Author: By Robert J. Schoenberg, | Title: Battle of Wits | 2/12/1954 | See Source »

...play. Coriolanus is more Roman and less human, more heroic and less tragic than Julius Caesar or Antony and Cleopatra. Yet that is to describe rather than disparage it. Even with faults of production, this Coriolanus, as staged by Cinema Producer John (Julius Caesar) Houseman, makes a procession of graphic scenes. Its greatest weaknesses stem from miscasting. As Coriolanus, Hollywood's Robert Ryan is never large-statured or deep-fissured enough; he suggests prep school and Wall Street rather than gens and war. And though a good actress, Mildred Natwick is not a right Volumnia. Yet the play still...

Author: /time Magazine | Title: The Theater: Old Play in Manhattan, Feb. 1, 1954 | 2/1/1954 | See Source »

...series of later production jobs in New York and Boston, Bethke worked for advertising offices of department stores, specifying type and doing layout. At night he went to school to study graphic arts and typography. It was in his Boston period that Bethke's type work caught the eye of Typographic Service Co. in New York, one of the largest suppliers of type service in the world. To an invitation to come down for an interview, Bethke replied that he would, but added: "I warn you I'll make no impression whatsoever...

Author: /time Magazine | Title: A Letter From The Publisher, Jan. 18, 1954 | 1/18/1954 | See Source »

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