Word: graphically
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...blatant stories about a modern "virgin birth" created an uproar in the whole British press, until Journalist Churchill, under his frequent pen name, Pharos, in the weekly Spectator, exposed the fact that the hard-boiled Pic had been taken in by a prankster. Then Randolph needled the Kemsley Sunday Graphic for announcing, but never printing, a "revealing, exciting, touching" series called "Those Churchill Girls." The reason the series never saw print, suggested Randolph in the Spectator, lay in a telegram he had sent to Lord Kemsley (family name: Berry), reading in part: WONDER WHETHER I COULD HAVE YOUR COOPERATION...
...late Reginald Marsh was a short, stocky, inconspicuous man, who for 34 memorable years moved quietly and almost invisibly about Manhattan with sketch pad and fountain pen. When he died last year at 56, the graphic record he left behind told what he had best loved and captured: the big city with its derelict Bowery bums, jaded burlesque queens and their wise-guy following of touts and sports, the day-to-day lives of Manhattan's anonymous masses, and everywhere-lolling on the beaches, powdering their noses in the mirror of a subway gum machine or just striding, windblown...
...That was a nice day," Joan concludes, recalling the Dauphin's coronation. Inspired writing, acting, graphic art and music have been combined magnificently to make The Lark not only a nice, but a thoroughly refreshing day for the American theater...
...When the Graphic folded in 1932, Ed and his column moved into the Daily News. He has been there ever since, but his syndicated column (35 papers) now appears two times a week instead of five. Though at war with Winchell, Ed-like a good general-learned a great deal from his enemy. Winchell emceed a stage show at Manhattan's Paramount, using the pressure of his column to line up good acts at a nominal cost. Ed did the same and earned $3,750 for a one-week stand. He was always available as a master of ceremonies...
...drawings and prints that combined the high skills of medieval German craftsmanship with the new techniques and ideas he had discovered in Venice. The result was the opening of the Northern Renaissance. Dürer's prints and drawings became sought-after collectors' items and elevated graphic art into a recognized art form in its own right. Even in his preliminary drawings, such as the one he did for a now destroyed Frankfurt altarpiece (see cut). Dürer revealed the caliber of his genius: with a few deft brush strokes on green paper, he was able...