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SATURDAY NIGHT AT THE MOVIES (NBC, 9-11 p.m.). Don Murray and Inger Stevens are pawns of organized crime in The Borgia Slick. Another full-length movie getting its premiere...

Author: /time Magazine | Title: Time Listings: Feb. 24, 1967 | 2/24/1967 | See Source »

...first full-length stage work, Playwright Owens, a 30-year-old Manhattan housewife, seesaws insecurely between the scenic jungle onstage and the psychic jungle in 20th century man. Apparently beginning as a psychological probe of modern woman's instinct for the male jugular, Beclch ends as a form of social parable on black Africa's expulsion of cruel, exploiting whites. Liberally scatological in its language, the play uses four-letter words as fashionable credentials. They seem to show that the author can spit the raw verbal gristle of experience at the audience coolly, and strictly for laughs...

Author: /time Magazine | Title: Theater: Blood Pudding | 2/10/1967 | See Source »

WORLD PREMIERE (NBC, 9-11 p.m.). Another in the series of full-length movies released first on TV. How I Spent My Summer Vacation, with Robert Wagner, Peter Lawford, Lola Albright. Walter Pidgeon and Jill St. John...

Author: /time Magazine | Title: Television: Jan. 6, 1967 | 1/6/1967 | See Source »

...cancer at 65, Disney was no longer simply the fundamental primitive imagist (the psychedelic merchants preempted that role), but a giant corporation whose vast assembly lines produced ever slicker products to dream by. Many of them, mercifully, will be forgotten, but the essential Disney creations, the cartoon comics, the full-length animated features such as Fantasia, Snow White, Bambi, Pinocchio, Cinderella-even that fantasy-filled 300 acres of dream puff called Disneyland-will remain as monumental components of American culture...

Author: /time Magazine | Title: WALT DISNEY: Images of Innocence | 12/23/1966 | See Source »

...Three Little Pigs (1933), Disney foreshadowed the work of his full-length films. Crisp in color, jaunty in jingly music (Who's Afraid of the Big Bad Wolf?), the movie was also a significant departure in its simply stated moral theme. In Snow White, Disney and his staff met the challenge of creating believable characters. Each of the seven dwarfs, from sober-sided Doc to dim-bulb Dopey, had a distinct personality. In Cinderella, a handful of Disney creations nearly stole the show: the bloodthirsty but fatuous cat Lucifer, and the nimble mice, Jaq and Gus-Gus. Millions...

Author: /time Magazine | Title: WALT DISNEY: Images of Innocence | 12/23/1966 | See Source »

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