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...classical film technique to the product of his studio. The Disneyland display, a series of museum pieces and classic film technique to the product of his studio. The Disneyland display, a series of museum pieces and classic frame blow-ups, led to a projected sequence from one of the full-length cartoons--Sleeping Beauty when this reviewer saw it. The Prince was hacking his way through the Enchanted Forest in a sequence edited according to the dictates of formal montage: establishing full shots followed by closer angles, each shot conencted by continuity of movement. The style differed from ordinary live...

Author: By Tim Hunter, | Title: Yellow Submarine | 11/19/1968 | See Source »

...album, entitled "Two Virgins," features a full-length front view of Lennon and Ono in the nude on its cover...

Author: NO WRITER ATTRIBUTED | Title: Coop May Stock Lennon-Ono LP | 11/16/1968 | See Source »

Andy Warhol seems to be no less enthusiastic about the venture. "It's fun," he says, "and really pretty, really great." Naturally he now plans to turn out a full-length video-tape movie...

Author: /time Magazine | Title: Advertising: Schrafft's Gets With It | 10/25/1968 | See Source »

...festival may contain more costume jewelry than ever before. This year's program list is more notable for its absentees than for those in attendance: there are no British, Canadian or Oriental films. On the other hand, France is lopsidedly represented by twelve movies-half of the full-length features. The lack of balance may not be entirely the festival's fault. Some films were unavailable for screening: Hollywood, as usual, refused to provide any of its major productions; and Jacques Tali's new comedy, Playtime, is on 70-mm. film, too large for Lincoln Center...

Author: /time Magazine | Title: Cinema: A Festival of Diamonds and Zircons | 9/27/1968 | See Source »

Faces, one of the two full-length American features in the festival, may be the most impressive of the lot. This is Actor John Cassavetes' second effort as both writer and director. He spent six months shooting the film-mostly in his own Los Angeles house-and almost three years editing it. The result is a 130-minute study of human pain, shame, cruelty and crudity of such abrasive intensity that it constitutes more of an experience than a show...

Author: /time Magazine | Title: Cinema: A Festival of Diamonds and Zircons | 9/27/1968 | See Source »

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