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Roemer and Young's Harvard movie, A Touch of the Times, was a sort of individualism. The hero inspires mankind to go outside and fly kites. This was the pilot venture of Ivy Films, a full-length movie which took two years and $2300 to make. Roemer reflects that "the ambitiousness of the enterprise gives it what little life it has." He had to replace the starring actor five times because his cast kept graduating or going on probation during those two years...
...Dior suits have flaring jackets and full, pleated or gathered skirts. Dresses, in sunny pastels and fresh flowered prints, acknowledge the shapes they clothe; so do the coats, with narrow belts that define waistlines instead of camouflaging them. There was not a pair of pants or a bared navel in the show, or a single lament for their absence. The Bohan brand of exotica-soft silk tunics, rajah coats, full-length sheaths cut above the ankle in front-may have been inspired by the designer's trip to India last fall. But the results are all Paris...
...Alas, TIME erred. It was Granada Television, not the BBC, that presented four full-length plays by the "Outpatient of the Year," Noel Coward, on successive weeks...
Bikinis and maillots, blousons and middies, all spilled off racks and shelves around the country. Styles were simple (fewer turtlenecks and full-length sleeves than last year), patterns bold (with slashes of stripes and oversize polka dots predominating), and colors smashing (incendiary pinks and theatrical splashes of black on white were favorites). But the real news were the models made, at least in part, of fishnet...
...that time Him was the most futuristic of plays, a theatrical circus aping a carnival world. Cummings' only full-length play is still as exotic and volatile as the brightest contemporary drama. The poet's perceptiveness and wit, conveyed by over 50 characters in 21 scenes, saturates every inch of the Theatre Company of Boston's tiny stage...