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Word: frescoed (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...also shot Toby Dammit) used tons of smoke, incense and cement dust to reproduce a sense of murky antiquity. Yet there is little doubt that, in scenes like the death of a patrician couple who prefer suicide to inevitable political assassination, Fellini is attempting to render this vast fresco as a giant metaphor for the 1960s. "If Petronius' work is a full-blooded description of the atmosphere of those times," Fellini admits, "the film that I adapted from it is a panorama, an allegorical satire of our present-day world. It is a science-fiction film projected into...

Author: /time Magazine | Title: Directors: Petronius, 20%; Fellini, 80% | 9/12/1969 | See Source »

...talks about meeting Hammarskjold, about buying him a seashore cottage near his own, about the books the Secretary General read and his taste in art. He talks about the times they spent together, in Hagestad, the seaside retreat; in Hammarskjold's Manhattan flat while Beskow was painting the fresco in the Meditation Room of the U.N.; at Brewster, the small estate Hammarskjold had rented in upstate New York...

Author: By Jerald R. Gerst, | Title: Hammarskjold | 4/8/1969 | See Source »

...never ponderous or solemn," Tange says, "but always as they should be: great fun to watch." Many others obviously agree. For their pavilion at the world's fair, Japan's gas companies have commissioned Shingu to create indoor fountains that will frame a huge new ceramic fresco by Joan...

Author: /time Magazine | Title: Sculpture: Dancing in the Wind | 1/24/1969 | See Source »

...Died. Fresco Thompson, 66, vice president and general manager of the Los Angeles Dodgers baseball team, who spent 46 years in the game as a player, manager, farm-system director and front-office executive; of uremic poisoning; in Fullerton, Calif...

Author: /time Magazine | Title: Milestones: Nov. 29, 1968 | 11/29/1968 | See Source »

Common to both these oil sketches is a genuineness of inspiration that has nothing to do with techniques. As Wittkower observes, the finished fresco had to be made solid and impressive with all its forms and symbols differentiated and understandable. Patrons expected such qualities. But in the preliminary sketch, the artist was working for the moment-and thus shares with the viewer the freshness and spontaneity of his initial vision...

Author: /time Magazine | Title: Arts: Before the Boldness Vanished | 11/15/1968 | See Source »

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