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Misspent Manhood. Alas, when the real Freddy Exley stands up, he proves to be singularly inept. Drunkenly, he stumbles from one football weekend to the next. The games with their supermen provide the pitiful framework for his misspent manhood. He destroys his fledgling career in publicity. He finds that his dream girl personified the materialistic, castrating American woman. His weaknesses lead him to three stays in sanatoriums. Finally, he becomes a contemporary Oblomov, spending his nights and days on couches and beds, living in the marathon shadow world of television's cultural prefabrication, and talking...

Author: /time Magazine | Title: Books: Man on the Sidelines | 10/25/1968 | See Source »

...first ten minutes, there is no one at all onstage. The set is simply the metal framework of a box the size of a room. On a garbled tape recording, the voice of Ruth White-middle-aged, pensive, measured and monotonous-fills the box and the theater. The voice is almost sleep inducing, like water lapping persistently at a sea wall. Actress White's monologue consists of some pretentious restatements of the obvious: Art is order; craftsmanship is waning; children in far-off places are starving to death...

Author: /time Magazine | Title: New Plays: Dead Space | 10/11/1968 | See Source »

...speakers for this course are radicals, and almost all of them are activists. The main reason for this selection lies in our feeling that these ideas are not adequately represented in the persent university curriculum (mentioned above). Within that framework we used three criteria to decide who the actual speakers would...

Author: NO WRITER ATTRIBUTED | Title: Social Relations 148 | 10/3/1968 | See Source »

Within a musical framework of this frenzied a pace there is no place for the eloquent bass guitarist building up elegant harmonies a la Paul McCartney, and John Entwistle knows and does better. A big solid unsmiling figure on stage dressed in black with a white ruffled vest ("I don't move around so I can wear fancy clothes") he is jovial and enourmously pleasant in the dressing room. "There's no other bass guitarist that's better than me because I don't play it like a bass guitar." And it's true, he doesn't. He plays...

Author: By Sal I. Imam, | Title: The Who | 8/13/1968 | See Source »

...Center is not quite as flexible as Fein suggests. According to Barr, there are budgetary reasons why the Center prefers to work through well-endowed agencies. "The Joint Center has the kind of framework that adapts well to serving established agencies," he says. "We normally look for a paying client. We can get a lot more mileage on funds that...

Author: By Marion E. Bodian, | Title: The Joint Center For Urban Studies: | 6/13/1968 | See Source »

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