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...larger sense, Eshkol was indeed a transitional leader, overseeing the changing of the guard from the dogmatic Zionist pioneers to the pragmatic new heirs of an established state. Always the patient man of compromise, he provided an elastic framework of government wherein Israelis' divergent political passions could coexist. "Put three Zionists in a room," Eshkol used to say, "and they will form four political parties." Israel has no fewer than 13 parties, and it is a measure of Eshkol's talent as a moderator that eight of them, representing 93% of the electorate, were in his coalition government...

Author: /time Magazine | Title: World: The Legacy of Joshua | 3/7/1969 | See Source »

...artistically by building on what went before; each set was an opportunity to make a "new space" in that loveable but limited theatre. From his Plebians Rehearse the Uprising (May, 1967) to his tow-storied Midsummer Night's Dream (July, 1968) set ("a poor man's architecture, not a framework"), Cutler has been highly conscious of progression within the company...

Author: By Deborah R. Waroff, | Title: What Makes Techies Run | 3/7/1969 | See Source »

...playing in the Key of E in the chord of E the third scale note is G and the seventh is D. Another Blues note is the fifth scale degree (B in the Key of E). These notes give the music the distinctive Blues sound. Out of this basic framework black musicans have created over the years the remarkable body of material that one chooses to lump under the term "Blues...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

Promises, Promises, which is based on the film The Apartment, is essentially the story a rather strange and depressing love triangle. It is about people who cannot cope with themselves or each other--and within this framework, Bacharach and David have written some songs that are gripping in a most unusual...

Author: By Frank Rich, | Title: If Conrad Birdie Came Back to Broadway, Would He Have to Drop Some Acid First? | 2/27/1969 | See Source »

...individual from the alienating process of controlling and being controlled by others. Laing calls for tolerance and exploration of modes of experience other than egoic in which the world and the self are experienced "in terms of a consistent identity, a me-here over against you-there, within a framework of certain ground structures of space and time shared with other members of society." The ego is both the product and the instrument of socialization. Alienation is ego-tripping, the predict of excessive adjustment to society. By dissolving the ego, the self can be resurrected and can enter other worlds...

Author: By Jonathan I. Ritvo, | Title: R. D. Laing and Mystical Modern Man | 2/26/1969 | See Source »

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