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While Schary might have put more thought and imagination into the script, one might question whether Roosevelt's life and personality are best adapted to the solo format. The theater has hosted a plethora of such fare in the past decade and the most successful examples of the genre are usually those plays which focus on more introverted types than FDR. An Emily Dickinson who seldom leaves the confines of her New England home, or a Mark Twain who addresses most of his scathing satire to an anonymous audience, are far less confined by the formidable constraints of the genre...
...complex and intriguing political personality. Adopting the overused one-man show approach, playwright Dore Schary pays too much attention to minor historical incidents during the Roosevelt administration. He fails to provide the character with the breathing space so essential for success in what has become a tired and formulaic format. As Roosevelt discusses his presidential years, he shifts abruptly from event to event, changing subjects and moving through time too quickly. As a result, the play fails to fully achieve the dramatic, and at times comedic, potential of its material...
After taking up his duties as the new Managing Editor, Grunwald initiated his own new typographic format for TIME...
...interesting to note that one of his last accomplishments before leaving was to oversee the conversion to our current look -marked by both the greatly expanded use of editorial color and a completely redesigned format...
...NoonHITS" will be an hour long "magazine format show" with feature stories, interviews and local news, shown every Tuesday and Thursday afternoon at 12:30, Miles said...