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...name implies, the show is a junior version of the network's hard-punching weekly magazine-format program, 60 Minutes. It stars a couple of full-fledged CBS News correspondents, Betsy Aaron, 39, and Christopher Glenn, 40, who comb the country in search of stories that might interest teenagers and preteens-just as Dan Rather, Morley Safer and Mike Wallace do for adults. With slightly less success-at least from the looks of last Saturday's first 30 Minutes, which included rather pedestrian film reports on acne treatment and the plight of a justifiably obscure rock band trying...
Despite the "live" format of "America Alive!", the Humperdink segment of the show will appear "live on tape"--that is, taped unrehearsed for later broadcast--at Humperdink's insistence, Raser said...
...Sept. 18, CBS, 8 p.m.). If this Mary Tyler Moore pro duction can maintain the level of its premiere, it will be the funniest series to hit prime-time TV since The Mary Tyler Moore Show itself. Set at a money-losing radio station that dumps its "elevator music" format for top-40 rock, WKRP is a sitcom dream. Its laughs derive from character rather than contrived gags; its cast is an ensemble of inventive comic actors. The first episode, which establishes the premise and players with dazzling efficiency, is an almost steady howl...
These are very lucky men, for Evita's London success far outstrips the show's merits. Though extravagantly staged by American Director Harold Prince, whom Stigwood imported for the occasion, Evita is a cold and uninvolving show that does little to expand the traditional musical comedy format or our understanding of a bizarre historical figure. Evita is often spectacular in its pretensions, but it is not even the best musical to touch on the subject of political repression. That honor belongs to two of Prince's Broadway productions-Fiddler on the Roof and Cabaret...
...admission fee--this excellent revue moves almost effortlessly from one song to the next. The whole show is tied together on a rather thin and poorly-planned pretext--most of the sparse dialogue consists of a synopsis of Porter's career, leading into the songs--but that format is merely for the purposes of decoration and filler. While it does not add to the quality of the show, it certainly does not detract...