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Robert Benchley once divided the world into two kinds of people: those who divide the world into two kinds of people and those who do not. Director Federico Fellini (La Dolce Vita, Satyricori) is firmly in the first category. In his new film, The Clowns, Fellini separates mankind into two classic species of fool: Pierrot and Auguste. Pierrot is the familiar circus clown in floppy white and conical hat, elegant and haughty. The clown Auguste is an eternal tramp, crumpled, drunken and rebellious...

Author: /time Magazine | Title: Cinema: Pierrots and Augustes | 6/21/1971 | See Source »

...Glendale brandishing a baseball bat, certain that a burglar was ransacking the rooms below. Twelve days overdue in her pregnancy, a woman near the quake's center knew only that labor had finally begun. At a 24-hour supermarket in the town of San Fernando, Clerk Marty Federico clung to a metal rail until the awful vibrations stopped, then reeled as two gas pipes exploded. Federico thought at first that a jet aircraft had set off a sonic boom directly overhead, then that Los Angeles was absorbing the ultimate nuclear attack...

Author: /time Magazine | Title: The Nation: Terror in Los Angeles | 2/22/1971 | See Source »

...astronaut who suddenly, desperately admits, "I don't stand a chance. I'm gonna lose my life." Or a heavily-accented Greek painter named Corin Corfu who turns out not to be Greek at all but would merely "like to be Greek." Or a New Wave film director named Federico Fettucinni who fills his movies with rape not for commercial reasons but so people will learn how evil rape...

Author: By Frank Rich, | Title: On the Town With Mel Brooks | 11/13/1970 | See Source »

Died. Angelo Rizzoli, 80, Italian publisher who left a Milan orphanage at 17 to become a printer, built a publishing empire encompassing ten weekly magazines (20 million readers), became a film producer and sponsored more than 150 films by such leading directors as Michelangelo Antonioni (Red Desert) and Federico Fellini (La Dolce Vita); of complications from gall bladder disease; in Milan...

Author: /time Magazine | Title: Milestones: Oct. 5, 1970 | 10/5/1970 | See Source »

Cinema's greatest living satirist (La Dolce Vita, 8½, Juliet of the Spirits), Director Federico Fellini has always been half in love with his main target: decadence. His favorite gallery is Rome, where the extravagances of the Via Veneto add daily calories to the Sweet Life. The Appian Way leads into the past, into the harsh, lurid revels of Petronius, who mocked Nero's ancient Sybarites with the first Satyricon. Although only fragments of that manuscript survive, they are enough to reveal a Homeric spoof. The hilariously ignoble hero, Encolpius (sometimes translated as "the Crotch...

Author: /time Magazine | Title: Cinema: Rome, B.C., A.F. | 3/16/1970 | See Source »

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