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...quiet? Or, simply, how many of us consider any moral issue to be important? Jonathan Ratner is right in that students feel impotent in face of Harvard's institutional immobility and that we can only overcome our "politics of despair" by daring to try. But who will? --Federico Salas...

Author: NO WRITER ATTRIBUTED | Title: Perverted Priorities | 6/14/1977 | See Source »

...Federico Salas '78, a junior concentrating in Government, is a Mexican citizen...

Author: By Federico Salas, | Title: Honeymoon With an Elephant | 3/22/1977 | See Source »

When he was 23 and waiting for the Italian movie industry to rise from the ashes of World War II, Federico Fellini earned his living in Rome by drawing droll sidewalk portraits of Allied soldiers. He got so good at it that he even opened a little studio called the Funny Face Shop. In the quarter-century since La Strada made him famous, Fellini has never stopped "doodling," as he calls it -turning out thousands of sketches of his actors' faces, costumes and wigs. Unbeknownst to him, some friends organized a show at Zurich's Galerie Daniel Keel...

Author: /time Magazine | Title: People, Mar. 7, 1977 | 3/7/1977 | See Source »

Directed by FEDERICO FELLINI Screenplay by FEDERICO FELLINI and BERNARDINO ZAPPONI...

Author: /time Magazine | Title: Cinema: Waxwork Narcissus | 2/21/1977 | See Source »

Accessibility is not a quality commonly associated with the work of Federico Fellini, but his film The Clowns reveals an ability to handle a journalistic topic like the world of the circus in a straightforward manner. The quasi-documentary approach to the material checks Fellini's growing affinity for the self-indulgent excesses that emerged in Roma and Satyricon, yet the gaudiness and affected posturing of the clowns enables him to at least satisfy this inclination without damaging the artistry of the film. An ultimately compassionate insight into the bittersweet experiences of life's buffoons, The Clowns provides a fairly...

Author: NO WRITER ATTRIBUTED | Title: FILM | 2/9/1977 | See Source »

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