Word: federico
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Dates: during 1960-1969
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...father and an aristocratic mother, Luis became a brilliant pupil of Jesuit tutors. But upon reading Darwin's The Origin of Species, he started the opening battle in his long war against church and state. At the University of Madrid, he was an intimate of the revolutionary poet Federico Garcia Lorca and the genius-impostor Salvador Dali, with whom he shared two main interests, cinema and surrealism. Later, they made two pioneer films: The Andalusian Dog, notable for its explicit Freudian imagery and resolute non-meaning, and The Age of Gold, which contained frenzied images of a homicidal Christ...
...credentials are impressive. Federico Fellini, Louis Malle and Roger Vadim, each directing a brace of international superstars in a loose adaptation of a Poe story, seem to promise one of the better anthology films...
...third episode that keeps Spirits alive. Never Bet the Devil Your Head is Federico Fellini's first film since Juliet of the Spirits, and it is a 40-minute excursion across the surreal landscape of his boundless imagination. Never centers on a washed-up Shakespearean actor named Toby Dammit (Terence Stamp) who has come to Rome to star in "the first Catholic Western." He is hounded by his own self-contempt and haunted by a vision of a corrupt cupid from hell, a devil in crinoline (Marina Yaru), who appears before him bouncing a large and somehow ominous white...
...hostess urinates in a silver chamber pot. Slaves stumble over garbage-strewn floors bearing trays of delicacies from some gastronomic apocalypse: a white calf wearing a brass helmet, cows' udders aswim in a mucid green sauce. It is a picnic in the best traditions of ancient Rome and Federico Fellini, designed and executed for Satyricon, his first full-length film in four years. It may be the most glorious bacchanal in the history of the cinema. At its opening last week at the Venice Film Festival, that promise seemed to be fulfilled. The normally reserved press corps gave...
...preview of Notebook, complete with Bacchic frenzies and the ghostly prowl of transvestites in the night-shrouded Colosseum, they dropped the option even though it was too late for NBC to change the schedule. Notebook's love affair with Imperial Rome resulted from the fact that Director Federico Fellini made it while at work on a movie based on the bawdy remnants of Petronius' Satyricon. His declared intention in making the TV film was to portray "an exalted picturesque, neurotic world," and he hoped to "activate a series of stimuli and responses." He succeeded, and not only with...