Word: eusebius
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...later marry. While the work does not quite reach the desperation and pathos of other Clara-obsessed compositions (such as the Fantasy in C Major), it shares many of the features of other Schumann compositions from the same time period, namely capriciousness and extremity of emotions (from the heroic Eusebius to the introspective Florestan—the two characters of Schumann’s compositional personality). Kissin was at his best in the second movement “Aria,” his caressing tone working its magic in the acoustical splendor that is Symphony Hall. The fourth-movement...
...passage was at least partially written by Josephus. His colleague at Hebrew University, Comparative Religion Professor David Flusser, regards its authenticity as certain. But the two agree in thinking that the new passage derives from a quotation of Josephus in an early edition of an ecclesiastical history by Bishop Eusebius of Caesarea, a commanding figure of 3rd and 4th century Christianity. In a later edition of his history, they speculate, Eusebius inserted instead the traditional Testimonium Flavianum because it was more in keeping with the Christian conception of Jesus. Only the fact that the more authentic passage was passed down...
...irony is that whoever tinkered with the original Josephus passage -whether it was Eusebius or some other eager apologist-ended up making Josephus' testimony suspect to later generations. In his zeal to refashion Josephus' Jesus in the Christian mold, the tamperer succeeded only in weakening the credibility of the text-even as proof of Jesus' existence...
...founded the Holy Roman Empire, is an unusual example that shows how Otto-nian workshops combined early Christian design with Saxon severity. Seven centuries later, Adam Lenckhardt used a single tusk of ivory to create a 17-in.-tall Descent from the Cross. Commissioned by the 17th century Prince Eusebius von Liechtenstein, the piece is unsurpassed among baroque ivory groups, accordingly to Director Lee. It is notable for its dulcet softness, subtlety and exquisite craftsmanship...
...responsible for the entire concert was music-major Jan Johnson, '68. Conductor, page-turner and general impresario, Johnson showed a keen appreciation of Ives and did an admirable job of bringing his music to life. A "hats off, gentlemen" from Eusebius was certainly in order...