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Both the ladies play revolutionaries touring Mexico as chanteuses in a vaudeville troupe. Much fuss is made over the coincidence of their both being named Marie, but it's never played for the Plautian confusions suggested when someone Anglicizes "Marie et Marie! Tres bon!" Eyes glinting in a slow, portentous fade...

Author: By Jeremy W. Heist, | Title: Viva Maria! | 3/23/1966 | See Source »

...slow start Friday night, but it was worth the wait. Their closing performance of Ravel's Daphnis et Chloe was magnificent. It was the best I've ever heard them play...

Author: By Thomas C. Horne, | Title: Harvard-Radcliffe Orchestra | 3/7/1966 | See Source »

...performance was perfect. There were no detectable wrong notes, or questionable tonalities, or muffed passages. Yannatos's command of his orchestra's dynamics was admirable. The large entrances of the brass choir were thrilling. The trumpets handled a speedy passage with facile precision. And, of course, Daphnis et Chloe gave the HRO an opportunity to show off its unsurpassable solo flutist, Karen Monson...

Author: By Thomas C. Horne, | Title: Harvard-Radcliffe Orchestra | 3/7/1966 | See Source »

...Corris didn't quite match his performance against Princeton in the 200-yard breaststroke. He glided past the 100-yard mark in 1:05.8, 1.3 seconds slower than he did when l et his record last weekend, but finished strong in 2:16.9, only .2 seconds off his week-old record...

Author: By John A. Herfort, | Title: Swimmers Beat Columbia 60-35, Ready for Yale | 2/28/1966 | See Source »

Luxe, calme et volupt...

Author: /time Magazine | Title: Painting: Distiller of Sunshine | 2/25/1966 | See Source »

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