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Invitations to the Paris gala benefit prescribed: "Smoking pour les hommes et pour les femmes," which in this case did not mean that everyone should light up a Gauloise. Smoking meant le smoking, French for dinner jacket, and nearly all the girls, falling in with a trend started by Designer Yves St. Laurent last year, showed up looking like either Marlene Dietrich or a headwaiter. Well, almost. Certainly no one would have taken Singer Francoise Hardy, 23, for a captain. Still, the men in the crowd at the Moulin Rouge party seemed more fascinated by the barely clad dancers onstage...

Author: /time Magazine | Title: People: Apr. 28, 1967 | 4/28/1967 | See Source »

Sexy Grace. "Emeralds," set to Gabriel Faure's stage music for Pelleas et Melisande and Shylock, unfolded a set of suave, subtly intertwining dances that managed to be at once sweeping and intimately sensuous. Dancers Mimi Paul and Francisco Moncion captured the combination of sophistication and passion in a pas de deux that was full of tantalizing hesitations but never without easy flow. In "Diamonds," Balanchine turned to the grand manner of classical ballet, spinning out variations that resembled traditional Russian dancing removed from the law of gravity. To the score of Tchaikovsky's Symphony No. 3, Suzanne...

Author: /time Magazine | Title: Ballet: Gem Dandy | 4/21/1967 | See Source »

Such mixtures seem quite natural to Messiaen, who describes himself as "a born believer, musician and revolutionary." He taught himself to play the piano at eight, at ten was devouring the scores of Don Giovanni, Die Walkure and Pelleas et Melisande. He conceived a lifelong fascination with "all things mysterious and marvelous," and found that musical sounds gave him inner visions of colors; once, he got a stomach ache while watching a ballet because the violet hue of the lighting clashed so badly with the tonality of G major...

Author: /time Magazine | Title: Composers: Backward Revolutionary | 4/14/1967 | See Source »

Natural Right. Populorum Progressio shifts considerably to the left of previous papal encyclicals in its criticism of private property. In his celebrated Rerum Novarum of 1891, Pope Leo XIII argued that economic reform must take into account "the inviolability of private property"; Pope John's Mater et Magistra likewise termed private ownership "a natural right" of man. Paul, on the other hand, declared that property ownership "does not constitute for anyone an absolute and unconditional right. No one is justified in keeping for his exclusive use what he does not need when others lack necessities. The right to property...

Author: /time Magazine | Title: The Papacy: Populorum Progressio | 4/7/1967 | See Source »

...Others: Pope John XXIII's encyclicals Mater et Magistra (1961) and Pacem in Terris (1963), and the Second Vatican Council's constitution, "On the Church in the Modern World...

Author: /time Magazine | Title: The Papacy: Populorum Progressio | 4/7/1967 | See Source »

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