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Despite alltime-record output of wheat, rice, feed grains, soybeans, pea nuts, sugar cane, meat, poultry and eggs, America's 3,000,000 farmers will pock et 10% less income this year than in 1966. After six straight years of rising income amid inflation, the slump in prices gives the farmer less net purchasing power than he has enjoyed since mid-Depression 1934. While complaint has always been their bumper crop, U.S. farmers last week threatened to beat their plowshares into swords...

Author: /time Magazine | Title: Agriculture: Plight of Plenty | 12/22/1967 | See Source »

Many also achieved secondary but more lasting fame: Marie Duplessis was the prototype for the heroines of Dumas' La Dame aux camelias and La Traviata; Blanche d'Antigny was transformed by Zola into Nana and Apollonie Sabatier was the real-life la Muse et la Madone of Baudelaire's Les Flews du nuil. If these coquettes shared a single trait, it was by no means beauty but an indomitable will to succeed and the ability to overcome natural handicaps. A practical sort was Blanche d'Antigny. An inordinately heavy sleeper, she found early in her career...

Author: /time Magazine | Title: Books: For Love & Money | 11/10/1967 | See Source »

Both companies held back on real novelty until later in the week, and here the New York City Opera moved decidedly ahead. In an attempt to give French opera more of a play, the Met revived and refurbished Charles Gounod's hopelessly languid Romeo et Juliette-an opera that only illustrates the composer's remarkable capacity for turning great poetry into sentimental salon entertainment. Furthermore, the performance was sadly deficient in the French accent, both in words and music. Franco Corelli nearly strangled on every attempt to produce the pure Gallic B-flat, while all of Soprano Mirella...

Author: /time Magazine | Title: Opera: Transcontinental Bang | 9/29/1967 | See Source »

When John Fairchild headed Women's Wear Daily's Paris bureau, he was dubbed "Blouson Noir" ("Black Jack et," or "the tough one") by irritated fashion designers, who even crossed to the other side of the street when they saw him coming. As a trade-publication reporter, the supposedly genteel Fairchild had turned out to be an acerbic, outspoken critic of fashions. If Paris designers were relieved when he left in 1960 to become editor of Women's Wear, it was the New York fashion world's turn to be surprised. As New York Times Fashion...

Author: /time Magazine | Title: Publishers: Shaking Up Women's Wear | 9/8/1967 | See Source »

After the evening performances, the hardy repaired to a nearby theater to view long-forgotten movies with operatic backgrounds. Included were such rare delights as Mae West burbling an aria from Samson et Dalila in her 1935 Coin' to Town, and a 1934 version of La Boheme, starring Gertrude Lawrence and Douglas Fairbanks Jr., with "music and lyrics by Giacomo Puccini and G. H. Clutsam," the latter a Hollywood tunesmith in unlikely company...

Author: /time Magazine | Title: Opera: How to Run a Festival | 9/1/1967 | See Source »

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