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Word: elizabethan (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...must to my own self be true, and I simply remain unconvinced. The great Elizabethan scholar Alfred Harbage (whom Harvard and the world lost only recently), having devoted most of his life to Shakespeare, said of As You Like It that "a fondness for it is the best single test of a reader's compatibility with Shakespeare." So I stand condemned...

Author: By Caldwell Titcomb, | Title: 'As You Like It' in a Forest Without Green | 8/6/1976 | See Source »

Kahn has done a little textual trimming and rearranging to bring the running time down to exactly two hours and a half. And Jane Greenwood has created an attractive bunch of period costumes, although the period is considerably later than Elizabethan...

Author: By Caldwell Titcomb, | Title: 'As You Like It' in a Forest Without Green | 8/6/1976 | See Source »

...immigrants who learned English as a second language and were heavily dependent on the written word, he notes. Southerners, on the other hand, have always relied on the spoken word. "In that respect, Southern speech is closer to the native speech of England," concludes Pederson, and often to Elizabethan England. "It is a much more sensitive and effective medium of communication than Northern speech, for the most part, because it is so rooted in the spoken word...

Author: /time Magazine | Title: THE LANGUAGE: Sounds of the South | 8/2/1976 | See Source »

...inspired casting as Falstaff. He acknowledges that his voice lacks Verdi's special melodic tessitura. But its dramatic subtleties and Gramm's own worldly manner answer Producer Jean-Pierre Ponelle's demand for a Falstaff who is "no gross giant" and fits into the rumbustious Elizabethan world he recreates. Gramm is light on his feet and a magical actor as he spins out recollections of his pageboy youth (Quand' ero paggio) and summons up what seems impossible but makes the character human: the memory of Falstaff as a child. He is no opera buffoon...

Author: /time Magazine | Title: Music: Opera in the Countryside | 6/28/1976 | See Source »

Wolbach speaks jerkily, emphasizing most of the words in his sentences. This habit; combined with his propensity for Elizabethan phrases, makes his speech hard to understand. But having been at the Observatory for 25 years, he knows a lot about the backwaters of the place. In one continuous phrase, he sums up the history of the Observatory, commenting in passing on everything from Astro 1 (" ... the Harvard freshman course, which at one time, ahem, was a gut or football course") to the nature of astronomy (...there is a great deal of continuity in this science, unlike many others...

Author: By Eleni Constantine, | Title: 'I Heard The Learned Astronomer...' | 4/22/1976 | See Source »

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