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...were the three greatest draftsmen in the history of Western art? There would be room for argument at the lower end of the ranking (Dürer? Raphael? Ingres?). But of the first two there can be little doubt. One was Michelangelo; the other was Leonardo da Vinci. The bastard son of a Florentine notary, Leonardo was born in 1452 and died in 1519. Almost from the moment that he emerged from Verrocchio's workshop in the 1470s and began his long, peripatetic and disappointed life among the courts of Rome, Milan, France and his home town, Florence...
Most museum exhibits specialize in product. Visitors want to see the telephone Bell invented, not the goofs and failures that came before. They are interested in the paintings artists create, not--with the rare exception of a Leonardo da Vinci--in the sketches discarded in the process. Viewers want to see polished statues and coronation gowns, not chips of marbk or a seamstress's needle and thread...
Caldwell is willing to sacrifice some of the Shakespeare text for pageantry and graphic effects. The guests at the feast where Banquo's ghost appears are seated on one side of a long refectory table resembling the one in Da Vinci's The Last Supper, thus carrying resonances of sacrilege...
Many non-drivers hint vaguely at some ghastly automotive da fé in their past. Others have good reason to leave the driving to someone else. Says English Actor Michael Caine: "When I was young I couldn't afford a car, and now that I'm rich I can afford a chauffeur." Richard Harris, the Irish actor, has not driven since the merry day he had a donnybrook with a bus and decided he was a menace at the wheel; he also can afford a chauffeur. Author T.H. White (The Sword in the Stone) used to barrel...
Verdi: Aïda (Mirella Freni, soprano; José Carreras, tenor; Agnes Baltsa, mezzo-soprano; Piero Cappuccilli, baritone; Ruggero Raimondi, bass; é van Dam, bass; Katia Ricciarelli, soprano; Thomas Moser, tenor; Vienna State Opera Chorus and the Vienna Philharmonic, Herbert von Karajan, conductor; Angel; three LPs). That old Ethiopian slave girl and would-be war bride finds a new and glorious incarnation in Mirella Freni, whose voice may not move pyramids but finds its way to the heart of the role. This is particularly true in the Nile Scene, where Aïda tussles with her passion for Radames...