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Musical Evening--Anthony Martin, Linda Quan and Nancy Wilson, violins, Mitzl Myerson, harpslchord, and Alice Robbins, viola da gamba; Peasant Stock Restaurant, 415 Washington St., Somerville...

Author: NO WRITER ATTRIBUTED | Title: WHAT IS TO BE DONE Nov. 12 - 18 | 11/12/1981 | See Source »

...ponderous interpretations. Ozawa's depth has long been questioned, and he is generally much more successful with the romantic warhorses or even modern pieces-as he was with the world premiere of Robert Starer's lean but melodic Violin Concerto and Tchaikovsky's noisy Francesca da Rimini-than he is with the classical repertory...

Author: /time Magazine | Title: Music: Centennial at Symphony | 11/2/1981 | See Source »

...Turkish-raised grandfather boasted of knowing 17 languages. After his fa ther died in Manchester, England, Canetti zigzagged between the Zu rich of Dada, Lenin and Joyce, and the Vienna of Freud, finally earning a Ph.D. in chemistry. But the young doctor chose literature instead of laboratories. Auto-da-Fé (1935), published on the eve of Hitler's Anschluss, initiated the theme that would obsess Canetti over four decades: how to pay close attention to the world...

Author: /time Magazine | Title: Books: Laurels for an Obscure Wanderer | 10/26/1981 | See Source »

...obscure. He was praised by Thomas Mann and a host of lesser literati as a son of Kafka and a father of Ionesco, and seven of his books are avail able in English translation from Continuum Publishing Co. in the U.S. But, while Canetti's landmark novel Auto-da-Fé, originally The Dazzlement, and nonfiction magnum opus Crowds and Power have been occasional bestsellers in Central Europe, they never garnered a wide audience elsewhere...

Author: /time Magazine | Title: Books: Laurels for an Obscure Wanderer | 10/26/1981 | See Source »

...villainous goblins are revealed as babies, but in the author's view this makes them no less terrifying: What could be more incessant and demanding than an infant? At each turn, Sendak provides illustrations that refer to-and bear comparison, with-the putti of Raphael, Da Vinci's Virgin of the Rocks and the entire school of German Romanticism. The sprung rhythms of the text and the richly allusive paintings do not make Outside Over There inappropriate for children. Even the very young can appreciate the work on its outer level. But only adults can wholly understand...

Author: /time Magazine | Title: Books: Summer Reading | 7/6/1981 | See Source »

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