Word: comically
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Jeunet and Caro had, however, already carved out their own niche with their first film, Delicatessen, the story of cannibalism, troglodytes, circus performers, and, of course, love. But, with The City of Lost Children, they push their own style to the current technological limits. Indulging in kooky comic-book shenanigans that makes Dick Tracy look downright lifeless, the madcap directors pulled out all the stops to create a modern-tale fairy tale on a par with Pinocchio. In fact, the frenetic energy created by the movie what Disney should have been trying to create for years instead of slapping...
Give Dreyfuss points for schlepping this load. Making effective use of his trademark dimple, braying giggle and comic exasperation with a world of slow learners, he takes teacher Glenn Holland through three decades of Americana, from Vietnam to 1995. Holland has a wife (Glenne Headly), a deaf son and, it turns out, a vocation for helping the young understand themselves through music. He becomes their drill sergeant, father confessor, patron saint. As the years pass, his students follow their stars while he, a frustrated composer, pours his ambition into them. It's the ambitious teacher's tragedy: your kids move...
Lavish and piquant as a mini-series should be, this co-production of A&E and the BBC never misses a note of Austen's arch comic tone, following her narrative faithfully as the Bennet family sets about finding wealthy husbands for its five unattached daughters. Production values are first rate, with gardens and parlors so meticulously observed they could make Merchant and Ivory give up and turn to Die Hard sequels. And yet, amid the tastefulness, sexual tension lurks. Colin Firth plays Mr. Darcy, the romantic lead, as though he were a creation of the Brontes rather than...
...Moor's Last Sigh--Rushdie's first novel since The Satanic Verses--should not be taken only, or even principally, as veiled autobiography. It is much too teeming and turbulent, too crammed with history and dreams, to fit into any imaginable category, except that of the magically comic...
...duets. They worked literally nose to nose: Jerry would lick Dean's face; Dean would flick his cigarette ashes in Jerry's mouth (and lick Jer's face). It was primal therapy on the 12-inch screen, stripping bare a volatile marriage in all its grotesque intimacy--a bizarre comic display of love and resentment. No way it could last...