Search Details

Word: comically (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...researchers' definition of violence did, at least, avoid some of the absurdities of previous studies, in which every comic pratfall was counted. Violent acts were defined as those physical acts intended to cause harm to another; also included were verbal threats of physical harm as well as scenes showing the aftermath of violence. Thus, finding a body in a pool of blood on NYPD Blue counts as a violent act; Kramer bumping into a door on Seinfeld does not. A cartoon character whacking another with a mallet counts; but the accidental buffoonery of America's Funniest Home Videos doesn...

Author: /time Magazine | Title: TELEVISION: CHIPS AHOY | 2/19/1996 | See Source »

...bulbs. Pacino's performance turns crazily manic: when he gives an oration for the dead child, his wild hand gestures read like sign language for the myopic. And director Harold Becker should know that no movie is allowed to use You'll Never Walk Alone unless the intent is comic...

Author: /time Magazine | Title: CINEMA: IT'S GOOD TO BE THE MAYOR! | 2/19/1996 | See Source »

...having a snub nose and broad mouth. But this is hardly conclusive, Lefkowitz contends, since the Greeks also portrayed the Scythians of Russia as having these supposedly Negroid features. Moreover, if Socrates had been part African, that fact would surely have been satirized by his critics, like the comic playwright Aristophanes...

Author: /time Magazine | Title: BOOKS: ATTACKING AFROCENTRISM | 2/19/1996 | See Source »

...essential nature: Figaro is clever and good-hearted, the Countess is heart-broken, the Count is imperious, Cherubino is perpetually lovesick. Almost without exception, this cast handles the famous arias beautifully Saccente has a strong voice and stage presence, and none of Figaro's comic nuances escape him; he is excellent in the patter of 'Aprite un po, Figaro's attack on female infidelity, and in the touching final duet with Susanna. Benaim, as the Count, has perhaps the most pleasing voice in the cast, combining power and a dark, rich tone. Brown has a pretty voice, well equipped...

Author: By Adam Kirsch, | Title: Dunster Triumphs in Marriage of Figaro | 2/15/1996 | See Source »

Unsurprisingly, many of these episodes must have meant more to a sixty-something Fellini in 1980 than to the average contemporary movie-goer. The vision of tightly tank-topped biker chicks possessed by a rock and roll frenzy looks more comic than frightening. The faint soupcon of lesbianism seems a little timid and fastidious by today's standards...

Author: By Edward P. Mcbride, | Title: Fellini Flouts Feminism in Film | 2/15/1996 | See Source »

First | Previous | 573 | 574 | 575 | 576 | 577 | 578 | 579 | 580 | 581 | 582 | 583 | 584 | 585 | 586 | 587 | 588 | 589 | 590 | 591 | 592 | 593 | Next | Last