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...country desperately needs more employment opportunities. About a third of Cambodians are 15 years old or younger, and they'll be entering the workforce in droves over the next two decades. Hundreds of NGOs are already busy trying to fix Cambodia, and about 20% of the government's total budget still comes from foreign aid. The prospect of a tourism boom coupled with the start of domestic oil production offers the tantalizing possibility of a more independent way forward. With foreign aid, "you'll always be living according to somebody else's rules," says Rithivit Tep, director of the private...

Author: /time Magazine | Title: Improbable Paradise | 5/29/2008 | See Source »

...rebels still use bows and arrows, knives and ancient rifles, but have begun to stock up on machine guns, land mines and mortars, and are building increasingly sophisticated roadside bombs. Based on documents seized in the past year, Indian intelligence agencies estimate that Naxalite Inc. now has an annual budget of $250 million, much of which comes from extorting road contractors and mining companies, and from taxing hundreds of thousands of poor villagers. That money, analysts say, is funding the Maoists' efforts to improve their reach into - and ability to strike - urban areas...

Author: /time Magazine | Title: India's Secret War | 5/29/2008 | See Source »

...Cuban and Bolivian jungles, it was also the most dreaded. Neither prediction was quite accurate. The movie doesn't enthrall, nor does it outrage. It simply disappoints, at great length. Except for one zesty confrontation at the United Nations, the film is doggedly antidramatic. At a reported $60 million budget, Che is too expensive to be relegated to art houses, yet it's too stiff and forbidding to appeal to a mass audience...

Author: /time Magazine | Title: It's a Wrap at Cannes | 5/29/2008 | See Source »

...known him for 48 years, almost half a century. We met on a film in 1960. It was a low-budget black-and-white independent film called War Hunt. He was an actor. I was an actor. It was the first film I ever acted in. He and I became friends on that film and we became I would say kindred spirits. Like any novice artists starting out, we decided that we knew everything that was wrong about the production. We commiserated on it and we kind of bonded on that. We had very similar sensibilities and I think very...

Author: /time Magazine | Title: Redford on Pollack | 5/27/2008 | See Source »

...form of acting, which is how Sydney, who was 73 when he died, began his career, and he did a lot of it in recent years - usually playing strong, sardonic, occasionally self-deluded men. A wry worrier, he once said to me that the responsibility for directing big-budget studio pictures had begun to weigh on him, making him tense and anxious; he directed only about a half-dozen films in his last 20 years. He became a much more prolific producer, with the pictures he made through his Mirage company tending to be smaller in scale, more eccentric, more...

Author: /time Magazine | Title: Director Sydney Pollack Dies | 5/26/2008 | See Source »

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