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This opinion indicates that the Historical Division is still doing its work on an impartial bass and to the best of its ability. The delays in publication are reasonable ones, not the result of Democratic stalling. Unless more substantial evidence comes forth, it would be well to assume that both Democrats and Republicans want records of U.S. foreign relations released as quickly and accurately as possible for the benefit of the country as a whole...

Author: By Andrew W. Bingham, | Title: Partisans and Historians | 11/17/1955 | See Source »

...week, some 30,000 Viennese crowded against police lines around the opera, listening to Fidelia through loudspeakers. Inside, the work's gloomy sets and stern plot seemed hardly a match for the festive occasion, but the audience cheered the triumphant aptness of its subject: freedom. Of the stars, Bass-Baritone Paul Schoeffler as Don Pizarro was a standout; Soprano Martha Moedl as Leonore was more effective dramatically than vocally. The orchestra, conducted by Opera Director Karl Böhm, won six salvos of applause after it played the famous Leonore Overture...

Author: /time Magazine | Title: Music: Revival | 11/14/1955 | See Source »

Boston Jazz Tunes begin with a theme, setting a chord pattern which underlies the melodic line. Then the soloists take off, basing their improvisations on this pattern while piano, drums and bass create the rhythmic tension...

Author: By Bruce M. Reeves, | Title: Warm Jazz In Dark Rooms | 11/5/1955 | See Source »

Diva Schwarzkopf was handsomely supported in Rosenkavalier by New York City Opera's Contralto Frances Bible and German Bass Baritone Otto Edelmann, in Don Giovanni by Metropolitan Opera Basso Cesare Siepi and Soprano Licia Albanese and the Rochester (N.Y.) Philharmonic's Conductor Erich Leinsdorf in both. Standout: Leo Kerz's imaginative, fluid settings projected behind fixed arches onto a backdrop screen. Ahead for the enterprising San Francisco Opera this season: the U.S. premiere of Sir William Walton's Troilus and Cressida (TIME, Dec. 13), and a revival of Rimsky-Korsakov...

Author: /time Magazine | Title: Music: Debut in San Francisco | 10/10/1955 | See Source »

...only one respect was the Crimson outmaneuvered Saturday. The Band, celebrating the arrival of its new "biggest playable bass drum in the world," was beaten to the punch when the UMass band presented a visual drill which was almost identical to its own. The new drum, like the football team, began its career, however, with a satisfactorily loud bang.Tallback MATT BOTSFORD (40) leaps into the air on the Massachusetts 37 yard line to hit wingback JOHN SIMOURIAN downfield for Harvard's second touchdown late in the first quarter...

Author: By Jack Rosenthal, | Title: Varsity Opens Season by Overpowering Massachusetts Eleven by 60-to-6 Score | 10/3/1955 | See Source »

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