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...still on exhibit in the Auschwitz Museum, were found at a factory in Kietrz, Poland, at the end of World War II. The hair, allegedly from victims gassed at the infamous concentration camp, was supposedly used to manufacture upholstery and carpets. The factory's name was Teppichfabrik G. Schoeffler AG. "Our historians say Schoeffler is Schaeffler," the museum spokesman says, adding that the difference is due to a mere misspelling in the documentation. That, according to the museum, links Auschwitz to Wilhelm and Georg Schaeffler, the brothers who founded the company that is now the Schaeffler Group. (See Hitler...

Author: /time Magazine | Title: German Company Seeking Bailout Is Tied to Auschwitz | 3/5/2009 | See Source »

DIED. Paul Schoeffler, 70, German opera bass-baritone famous for his interpretation of Hans Sachs in Die Meistersinger; after a long illness; in Amersham, England. Schoeffler sang in Vienna during and after World War II and regularly made the operatic grand tour during the 1950s. At New York's Metropolitan Opera he was popular as Scarpia in Tosca and as Don Giovanni. Despite his success, he complained that "this business of dressing up in a silly costume, putting on a wig and paint on the face and getting killed or poisoned or drunk every night" made for a less...

Author: /time Magazine | Title: Milestones, Dec. 5, 1977 | 12/5/1977 | See Source »

What brought about this success most of all was Paul Schoeffler's brilliant handling of Sachs. The continual philosophical note of his lines never strayed into pomposity; a spread-legged geniality did not dissolve into pointlessly effusive gestures or sprawling pitch. The drama discards Wagner's customary alliterations; tense articulation turns melodies into musical prose that Schoeffler controlled with delightful precision and agility. Schoeffler kept Sachs' soliloquys from pretentiousness because his tone had in all registers a cleanness that blended movingly with the orchestra's winds. His very ease and control summed up Wagner's reconciliation of technique and spirit...

Author: By William A. Weber, | Title: Die Meistersinger | 3/16/1962 | See Source »

This topnotch recording, conducted by Vienna's Karl Boehm and sung by an outstanding cast headed by Soprano Leonie Rysanek and Bass-Baritone Paul Schoeffler, reveals the Strauss score in all its turbulent brilliance, at times long-winded and meandering, but always the work of a master...

Author: /time Magazine | Title: Music: New Operatic Records | 11/25/1957 | See Source »

Metropolitan Opera (Sat. 1 p.m., ABC). Parsifal, with Schoeffler, Edelmann, Svanholm...

Author: /time Magazine | Title: TELEVISION: Program Preview, Mar. 26, 1956 | 3/26/1956 | See Source »

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