Word: basse
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...each other as they played, produced music that was perfect in balance, pure in articulation and movement. It sounded as if the Old Sorcerer were there on the podium. When the concert was done, the audience broke into an ovation that Toscanini himself had not often heard. Explained a bass player: "We learned from Toscanini to honor the will of the composer. We simply paid closer attention to the score. When it said pianissimo, we played pianissimo...
...Session with Brubeck. Brubeck bends his lanky torso over the keys, concentrating like a child on a jigsaw puzzle, but his eyes are closed. The other members of the quartet-Alto Saxophonist Paul Desmond, Drummer Joe Dodge and Bass Player Bob Bates-go to work. Desmond's tones are plaintive and pure, the rhythm of drum and bass is as rich and firm as a deep-pile carpet. Like Bach starting off to improvise a passacaglia, they lay down the tune-say, Let's Fall in Love-as a kind of groundwork. Desmond's eyes close...
...psyche is in good order, a unique event takes place. The rhythm seems to take hold of everybody in the room. Drummer Dodge feels it and starts to bang on his Chinese cymbal (an instrument studded with loose rivets that buzz like a dozen sizzling steaks), and his bass drum whaps out compulsively, unpredictably. Bates hunches closer to his bass. Desmond, his lips without their mouthpiece looking like a nearsighted man's eyes without his spectacles, moves quietly away from the piano. Brubeck seems to cut his ties with the tempo and tears off on a remote pulse...
...contrapuntal arrangement of Brubeck's character has a strong bass of common sense and energy-perhaps because his father was a rancher and cattle buyer. His life also has its flights of lyricism-perhaps because his mother was a music teacher with dreams of being a concert pianist, or perhaps only because he grew up among the green Western hills. But above all these, there are high, hammering, urgent notes-and that may be because Dave Brubeck always seems to be looking for something...
...piano accompaniment. As the audience arrives (babies may be left in special nurseries known to the Graham staff as "bawl rooms"), Choir Leader Cliff Barrows is warming up the singers. Song books are passed around to the crowd; then Barrows invites the audience to sing, swinging a glittering trombone; Bass-Baritone Bev Shea goes into action with a few oldtime-religion songs, and the collection and an invocation by a local cleric follow. Meanwhile Billy Graham sits on the rostrum, head in hand, meditating...