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Slowly at first, and then more quickly, the drums began to throb and the horns to bray. Deep and profound through all of it rolled the resonant bass of the "tambari" (the Royal Drum) which was held by the tribe in an almost religious awe and took the whole skin of a full grown ox to dress each surface. The tambari is the repository of the basic tribal esprit de corps and is held in both reverence and affection...

Author: By David J.M. Muffett, | Title: Reflections on a Harvard Tribal Gathering | 10/18/1963 | See Source »

...trombone players vaulted out of the orchestra pit, swinging their horns like battle-axes. Then the woodwinds, a double-bass player and even the first violins joined in, tearing furiously into the astonished audience in pursuit of hecklers' blood. When the police arrived, chairs were flying through the air across the courtyard of Venice's Palazzo Ducale. It took a frantic half hour to drag all the punch-drunk musicologists out into St. Mark's Square for a cooling breath...

Author: /time Magazine | Title: Opera: Viva Verdi? | 9/13/1963 | See Source »

Reunion (Benny Golson; Jazzland). A leading saxophonsit in all-star company: Kenny Dorham, trumpet; J. J. Johnson, trombone; Wynton Kelly, piano; Paul Chambers, bass; Max Roach, drums...

Author: /time Magazine | Title: Television, Records, Cinema, Books: Sep. 6, 1963 | 9/6/1963 | See Source »

...million Philharmonic Hall last year, New York Times Music Critic Harold Schonberg confided to his readers that his heart raced ahead of his feet on his way to a concert there. Once inside, though, Schonberg soon found himself switching from seat to seat in hopes of hearing a bass, a cello-but like the classic Childe Harold, Schonberg found no happiness for all his roaming. At last he settled down in his assigned place in Row N, Left Loge, convinced that the best sounds were elsewhere-specifically, in Seat...

Author: /time Magazine | Title: Acoustics: Childe Harold in New York | 9/6/1963 | See Source »

Last spring, hope returned. Lincoln Center's directors-tireless boasters before the hall was built-confessed that acoustical scientists had confirmed the findings of Schonberg's ear: the hall lacked bass, was haunted by echoes, needed a more equal diffusion of sound. Workmen arrived in June to raise and tilt the 136 acoustical "clouds" suspended from the ceiling, fill in most of the space between them, and build a reflecting musical shell behind the stage...

Author: /time Magazine | Title: Acoustics: Childe Harold in New York | 9/6/1963 | See Source »

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