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...tone quality. At the Spoleto Festival, they wouldn't believe it." Mrs. Hutchins' new instruments, some of which have already been played, are even more unbelievable: they run a wide gamut of tones-from an octave higher than the violin to the lowest tones of the present bass viol-and they do so with equal timbre and loudness each step of the way. Only an instrument maker with Mrs. Hutchins' combination of craftsmanship and science could have made them...

Author: /time Magazine | Title: Music: The Strads of Montclair | 6/15/1962 | See Source »

...epic, Hatari, Heroine Elsa Martinelli leads three baby elephants, trunk to tail, to a jungle water hole, then back up a hill to a camp. It is a nice scene, but hardly vital to the film. What makes it indispensable is Mancini's music - a calliope, then a bass clarinet noodling a theme suggested by the old boogie-woogie tune, Down the Road a Piece. For the current Experiment in Terror, Mancini uses an autoharp; each appearance of the villain is marked by its dissonant and eerie chords...

Author: /time Magazine | Title: Movies: Never Too Much Music | 5/25/1962 | See Source »

Just Sipping. In the Breakfast at Tiffany's score, he sets off his melodies with a walking bass, extends them with choral and string variations, varies them with the brisk sounds of combo jazz. Moon River is sobbed by a plaintive harmonica, repeated by strings, hummed and then sung by the chorus, finally resolved with the harmonica again. Says Mancini: "It took me a long time to figure out what Holly Golightly was all about. One night after midnight I was still trying. I don't drink much, but I was sipping. And it came...

Author: /time Magazine | Title: Movies: Never Too Much Music | 5/25/1962 | See Source »

Though Mr. Hellman's performance was afflicted with too loud a bass all the way through, we prefer to blame the piano. And if his left hand was occasionally muddy, one may say quite happily that Mr. Hellman is not a virtuoso, but a musician. The bobby-soxers who swooned at the concerts of Franz Liszt would have to go elsewhere for chills and thrills, but anyone looking for a pianist with wit, in the classic sense, should hear Mr. Hellman at the next opportunity...

Author: By Joel E. Cohen, | Title: Geoffrey Hellman | 5/17/1962 | See Source »

...TIME picked up the wrong box. Hollywood Titlist Saul Bass designed another award-winning Kleenex box, now being marketed in the West...

Author: /time Magazine | Title: Letters: May 11, 1962 | 5/11/1962 | See Source »

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