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Died. Hamilton Basso, 59, journalist-novelist, a gentlemanly scholar from New Orleans who exiled himself to Connecticut in 1944, but kept trying to go home again with leisurely re-creations of the South's social distinctions, ancestor worship and tribal customs (from lynching to channel bass fishing), most successfully in his 1954 bestseller, The View from Pompey's Head; of cancer; in New Haven, Conn...

Author: /time Magazine | Title: Milestones: May 22, 1964 | 5/22/1964 | See Source »

Pianist Charles Wuorinen's solo "Variations," a frantic and exhausting work, did more than demonstrate his incredible virtuosity at the keyboard. Single, timid treble notes undercut the frenetic, tempestuous rumblings of the bass keys as if the composer were sardonically mocking his own contemporary style. Radical shifts in volume and highly irregular rests produced an extraordinarily witty beginning to a piece which seemed to grow in creasingly bitter...

Author: By Jacob R. Brackman, | Title: Josef Marx Recital | 5/15/1964 | See Source »

...guitar player--who obliged with one strain at the very end of the movement. In the second, the sole twelve-tone piece, pizzicato strings, harp and per cussion executed difficult rhythms gracefully if not perfectly. At the end of the third piece, a dirge with an ostinato bass, the orchestra turned into a chorus and sang the final chord. Happily, Biss repeated the performance for an amused audience...

Author: By Geoffrey P. Hellman, | Title: Bach Society Concert | 5/11/1964 | See Source »

...whole body. And in the role of Jim Dunn, the filmmaker who follows the others into the john for a fix, Roscoe Browne conveys insecurity and fear with stilted mannerisms and gauche use of hip slang. The four musicians (Freddie Redd, Piano; Jackie McLean, alto sax; Michael Mattos, bass; Larry Ritchie, drums) play hard-driving, original jazz of the Charlie Parker variety and are believable addicts as well...

Author: By Hendrik Hertzberg, | Title: The Connection | 4/23/1964 | See Source »

BORN TO BE BLUE!: BOBBY TIMMONS TRIO (Riverside). Pianist Timmons has an unfailing ear for the sound of sorrow, but he colors his reports from the blue world with musical wizardry and many shades of feeling. With the understanding accompaniment of Ron Carter and the great Sam Jones on bass and Connie Kay on drums, Timmons here runs through such dark delights as Malice Towards None, Namely You and Sometimes I Feel Like a Motherless Child, and the result is a fascinating blues album full of bemusement and cool laughter...

Author: /time Magazine | Title: Television: Apr. 10, 1964 | 4/10/1964 | See Source »

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