Word: acter
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Dates: during 1942-1942
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...woman opera impresario in the world last week launched the freshest, most bumptious U.S. opera troupe on its second Manhattan season. The impresario is Hungarian-born Yolanda Mero-lrion of the youthful New Opera Company. For openers, Impresario Irion chose The Opera Cloak, Walter Damrosch's latest one-acter, and The Fair at Sorochinsk, a rollicking opus by Russia's rum-nosed Immortal, Modeste Moussorgsky. Eighty-year-old Composer Damrosch conducted his curtain raiser without drowning out the audience's spirited conversation. But for The Fair at Sorochinsk, they sat up, shut up and pounded their palms...
Magic (by G. K. Chesterton) and Hello, Out There (by William Saroyan) provide a double bill that prompts a single verdict. Both playwrights are much better at dialogue than drama. Saroyan's one-acter is more rewarding because it's simpler and more human. It tells of a guy (Eddie Dowling) in a small-town Texas jail who, before he is killed by a mob, talks through the bars of his cell with the jail's wispish slavey of a cook (Julie Haydon). Theirs is a brief rapprochement, a doomed romance, of two desperately lonely, anonymous souls...