Word: yiddish
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Dates: during 1950-1959
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...coat to place his hands, fingers down, on his hips while speaking, sings in a voice like the one that must have sounded in the shower at Gracie Mansion. He makes the most of his pudgy hands and Little Flower pot, belts out campaign songs in Italian and Yiddish, bursts out explosively at Tammany men with chalk-stripe suits and Shinola in their hair. He has the look of a man who likes fire trucks...
They have brought Golden (Nehemiah Persoff) to Charlotte, N.C., introduced him around, and planted him in front of his typewriter. They festoon him with homely metaphors and Yiddish phrases and good, bad and indifferent jokes. They show him gradually, despite his embattled stand for integration, winning the hearts of all his white, Southern, Gentile neighbors. But in this game of hearts lurks a menacing queen of spades-the unsuspected fact that Golden had once served time in prison for mail fraud. It overhangs his life, until at last it breaks out in the headlines-only for all who know Harry...
...that Mark Twain did not stay around Boston long enough to again meet his Russian-Jewish counterpart, Sholom Aleichem. Sholom Aleichem was the greatest of Yiddish folk writers and there will be no more great ones. Sholom Aleichem and Isaac Peretz, another master storyteller, have provided Arnold Perl with the material which Perl has transformed into excellent theatre. The Boston six day engagement is an all too brief revival of the 1953 New York hit. It is a world of bittersweet laughter, presented in the form of three short sketches...
...Jews' existence at this time of history, in late nineteenth century Russia. The existence itself had to be rationalized and joked about, and what we laugh at are people laughing at themselves. Acting out this world in English, then, is perhaps the only substitute for reading Sholom Aleichem in Yiddish, and it is improbable that anyone could put across the interpretation as well as Carnovsky does. He reaches the height of eloquence through silence, as Paul Richards did on a smaller scale in the first two works. At the end of the play Carnovsky sits and looks silently out over...
...which are devoted to a kind of cheerful mysticism and have no objections to Israel-Teitelbaum's followers are fanatically opposed to most aspects of modern life, including military service, voting, movies and TV, mixed gatherings of men and women. They live in self-imposed ghettos, speak only Yiddish since they consider Hebrew sacred and reserved for prayers. Their opposition to Israel rests on two beliefs: 1) only the Messiah can establish a Jewish state, and any human attempt is sacrilegious: 2) the Israeli government is offensive to God for such practices as putting women in military service, secular...