Word: splattered
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Dates: during 1960-1969
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...their wait, De Kooning's admirers were generously rewarded. De Kooning's latest work (see color opposite) is a highly sophisticated summation of all the major developments of his previous styles. Still present are the whiplash strokes and splatter that were his trademark in the mid-1940s when the cantankerous immigrant Dutchman, onetime housepainter and WPA artist, was helping to establish abstract expressionism. In the early 1950s, he had devoted himself to a bloodthirsty series of darkly lurid women totems (among them, Marilyn Monroe). No sooner had his women gained acceptance than he switched again, to abstract landscapes...
Lovelier Windows. At 11 a.m. on the first day of battle in response to a plea from Nasser, Jordan opened a second front. Mortar and artillery shells rumbled down from the heights of Arab Jerusalem to splatter the Israeli sector of the divided city. Longer-range guns reached across Israel's narrow waist to hit the outskirts of Tel Aviv, and Syrian guns opened up on northern Israeli towns from the hills overlooking the Sea of Galilee. But it was Jerusalem, the Israeli capital, that took the worst damage the Arabs inflicted on the Jews in the whole war. Most...
...moon is made of dust, rock or green cheese by taking pictures of it [Feb. 26]. Why not shoot a small projectile from the nose of the next missile when it is several miles from the moon? The pictures of the projectile hitting the surface and the resulting splatter will show if the surface is soft or hard...
Disneyland Chevrons. Noland rarely paints smaller than 4 ft. by 4 ft. Yet he does not want machinelike perfection. "I'm a one-shot painter," he says, and in his Bridge he deliberately left the splatter of orange on yellow. Noland dares to parallel magenta, russet, beige and maroon in a lollipop war of taste. Sometimes he rams and jams his bright color bands into asymmetrical chevrons like a Disneyland sergeant gone askew...
Although it makes them writhe, they are called "hard edge" painters. Among artists of the New York school, the term separates them from the earlier, fast-draw action abstractionists, who painted with splatter, splash or broad-brush lunge. These second-generation abstractionists strive for a well-wrought finish, rather than a random record of trial and error...