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Peli downplays shock and emphasizes suspense: a shadow creeping across a wall or the ripple of an unseen form under the bedsheets. The gore scenes in splatter movies carry a sadistic punch, but those are outside most moviegoers' experience. What Peli is interested in is dread, a feeling everyone is familiar with. (Will I lose my job? Has she found someone else? Why hasn't our kid come home yet? What's that strange rash?) Movies take that anxiety, crystallize it and, because fiction demands an ending, resolve it. The threat is provided, the fear made flesh, the monster confronted...

Author: /time Magazine | Title: Paranormal Activity: A Horror Phenomenon | 10/10/2009 | See Source »

Starring Woody Harrelson and Jesse Eisenberg as Oscar-and-Felix zombie busters who hook up with con artist Emma Stone and her kid sister Abigail Breslin, the movie was sold as a splatter movie with laughs, which certainly brought in the intended demographic of lonely young males. But since it is also a buddy movie with a healthy slice of teen romance, the zom-com may eventually attract a more disparate crowd. That should be helped by an enthusiastic A- rating from the CinemaScore poll of exiting moviegoers and by a sheaf of favorable reviews. One dissenter in the critical...

Author: /time Magazine | Title: Box-Office Weekend: Zombie-ootiful! | 10/5/2009 | See Source »

...isolated. He had been experimenting in new directions before he left the Bauhaus, but his isolation, and freedom from the need to be didactic, may explain the playfulness that breaks out in his work. He carefully mixed colors - sage, sky blue, maroon - and experimented with texture, using controlled paint splatter for a sandy effect. Nothing is still: in Colorful Ensemble (1938) the splatters are a background of dots on which swim strange biomorphs; in Sky Blue (1940) stripy plankton flutter multiple legs while Reciprocal Accord (1942) fizzes and explodes...

Author: /time Magazine | Title: Kandinsky: A Bright Future, Once | 4/27/2009 | See Source »

...amid the splatter of crushed limbs, the chatter of Strangelovean science fiction and the sludge of traditional romance--and despite way too much tone-deaf acting--Watchmen has splashes of greatness. It proves again that the action movie is where the best young Hollywood brains have gone to bring flesh to their fantasies...

Author: /time Magazine | Title: Watchmen: Hero Worship | 3/5/2009 | See Source »

...Maybe there's no way the rest of the film could match this opening, and for sure it doesn't. Snyder spends much of the movie's 2 hours and 40 minutes on the splatter of crushed limbs, the chatter of Strangelovean science fiction and the nattering of the obligatory romance. He also encourages a little festival of tone-deaf acting. Yet Watchmen has moments of greatness. It proves again that the action movie is where the best young Hollywood brains have gone to bring flesh to their fantasies...

Author: /time Magazine | Title: Watchmen Review: (A Few) Moments of Greatness | 3/4/2009 | See Source »

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