Word: rembrandt
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Dates: during 1950-1959
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Newspaper readers sometimes get the impression that lost masterpieces of art turn up continually, and that any old-looking picture in the attic or at an auction may be worth a fortune. The day-after fact: the typical news story about the Rembrandt that Aunt Sophie found in a pushcart usually comes unglued just a few days after it has been front-paged, but by then, it is no longer news. Contributing to the confusion is the fact that art experts generally refuse to challenge such stories, for fear of libel suits. Result: gullible collectors spend thousands each year purchasing...
...Realism" suggests boredom and academic stuffiness to our twentieth century mentality; yet, Rembrandt or Durer, prime realists, evoke quite the opposite reaction. These masters were realists, too, and they, as these two young printmakers today are beginning to do, made palpable the external appearance of things while revealing their essential nature...
...force in them that unites in a plausible way sky and earth, relates trees to their shadows, joins rocks and hills in an astoundingly true simulation of the climate and general mood of these two contrasting seasons. In the Winter print, Breughel's influence as well as that of Rembrandt at his most lyric, is artfully suggested...
...home, served with aviation engineers in the China-Burma-India theater during the war (rode a truck on the Burma Road), turned to commercial art and book-jacket illustration after the war. An unashamed copyist, who perfected his techniques by long hours of studying the masterpieces of Velasquez, Rembrandt and Rubens in New York's Metropolitan Museum of Art, he did his first cover for TIME in April 1957 (Morocco's King Mohammed...
...detectives, reporters, gallery directors and art experts. The reason: six paintings were missing, and two more had been slightly damaged. The thieves had stolen Frans Hals's portraits of Isaak Abrahamsz Massa (conservatively valued by gallery officials at $120,000) and Vincent Laurensz van der Vinne ($80,000), Rembrandt's portraits of a Lady with a Lap Dog ($150,000) and a Lady with a Handkerchief ($250,000), Pierre Renoir's Portrait of Claude ($20,000), Peter Paul Rubens' The Elevation of the Cross ($20,000). It was probably the biggest art robbery in modern times...